Written and directed by Justin Chon, who also stars in Blue Bayou, it is a moving and timely story of a uniquely American family fighting for their future. New Orleans tattoo artist Antonio LeBlanc, played by Justin Chon, is a devoted family man looking to build a better life for pregnant wife Kathy, played by Alicia Vikander, and precocious step-daughter Jessie, played by Sydney Kowalske.
But for an ex-con with a checkered past, opportunity can be hard to come by, meaning money is always tight, especially with a new baby on the way. Complicating matters is Kathy’s ex Ace, played by Mark O’Brien, a Louisiana cop. He wants to play a more prominent role in Jessie’s life — despite having abandoned the girl and her mother years earlier.
When a family spat unexpectedly leads to a grocery store confrontation with Ace and his racist partner, Denny, played by Emory Cohen, Antonio is arrested and transferred into the custody of Immigration and Customs Enforcement. Despite being in America since the age of three, the Korean-American adoptee — married to an American citizen — faces deportation from the only country he’s ever known as home. Trapped in a waking nightmare, Antonio and Kathy seek legal assistance to help fight the deportation order, only to discover that they have precious little hope of keeping their family together.
With Antonio facing an uncertain future, he finds an unlikely ally and source of support in a Vietnamese-American woman named Parker, played by Linh-Dan Pham, who also is at a place where she is struggling to come to terms with a difficult truth. Determined to remain near his loved ones, an increasingly desperate Antonio forces himself to confront his past, going to ever more extraordinary lengths to stay on American soil. But the painful secrets that come to light threaten to upend his relationships with Kathy and Jessie — even as Denny resolves to seal Antonio’s fate.
As Blue Bayou took shape, the character at the heart of the emotional tale became ever more apparent to Chon, as did the importance of the film’s Louisiana setting. “One thing that was very important to me as an Asian-American is how we’re portrayed in the media,” Chon says. “A big thing for me was the name, Antonio — seeing an Asian-American with that name was very peculiar. I placed it in the South because I’ve never seen Asians with Southern accents treated as just very naturally a fact of life.”
“I placed it in New Orleans specifically because there’s a huge enclave of Vietnamese people there, and one of my goals with this film was to have two adjacent Asian ethnicities in one film. This Korean adoptee Antonio learns what his culture could be like through this friendship with a Vietnamese woman. It’s his introduction into Asian culture. They’re countries that share a lot of similar war trauma.”
Although Chon had written, directed and starred in his previous films, he initially planned to cast an actor to play the pivotal role of Antonio. When it came time to cast the part, he found that the character was simply too close to his heart to be portrayed by anyone else. “The story was so important to me that I really wanted to be present to focus on the story and the filmmaking,” he says. “But I just got to a point where I’d lived with the story for so long and these people were so real to me that I started to get very nervous. I felt like if anyone was going to mess it up, I’d be the one to mess it up. I didn’t want to be in a position where if somebody didn’t quite give it the energy that I thought was necessary that I would be bummed out, you know?”
