Lisa D’Apolito directed the Love, Gilda documentary. The movie boasts “In her own words…” I am quick to differ. Like most documentaries today, the directors skewed them to generate a message based on the director’s proactive. Sure. The movie shows her journals with words, but the director takes them out of context.
Tender with personal interviews while highlighting Radner’s talent, but the movie needed to share more of her happiness and successes. We are all human and have problems. The director skews the fact that when she visits the doctor, she is not responsible. But clearly, she is being responsible for going to the doctor. It is how she handles those problems that make her a survivor.
In her journals, the director pulls out passages from comedienne Gilda Radner reflections on her life and career. Weaving together her recently discovered audiotapes and rare home movies, Love, Gilda shares a side of Radner that is honest and whimsical. Portions of her diary read by well-known comedians. Each inspired by Radner’s talent and vivaciousness, Bill Hader, Amy Poehler, Maya Rudolph, and Cecily Strong read in awe sharing her story.
The documentary includes interviews with original “Saturday Night Live” cast and crew, such as Chevy Chase, Laraine Newman, Paul Shaffer and longtime friend, Martin Short. Throughout the movie photos of the younger cast and crew are spliced within the story. With photos of the young cast, all looking healthy and vibrant is worth watching the documentary.
Her adventures before SNL have her marrying a sculpture, moving to Canada, and divorcing. She meets her boyfriend and longtime friend, Martin Short. She receives a phone call from John Belushi and tells her “We need a girl.” Off Radner goes to Chicago, being the token girl for Second City comedy group. The photographs show young Dan Aykroyd and the late Harold Ramis.
Gilda Radner puts a smile on the faces of people who remember watching her as one of the original cast members of SNL where she created and portrayed now-classic comic characters such as Roseanne Roseannadanna, Emily Litella, and Lisa Loopner. She rose to fame winning an Emmy, starring in movies and on Broadway.
Though the director uses Radner’s words and her voice by working with the Radner Estate, D’Apolito picks her favorites from a collection of diaries and personal audio and videotapes. Documenting her childhood, her comedy career, her life with Gene Wilder and her struggle with cancer, the D’Apolito allows Radner to voice her story through laughter and tears. The never-before-seen footage and journal entries form the narrative spine of the documentary. Again, D’Apolito spins a tale of Radner trying to get Wilder to marry her. Yet, I distinctly recall, Wilder in interviews saying of how much he loved Radner and missed her so much after her death from cancer. Anyone who watches this documentary will see the love Wilder shared with Radner.
My favorite words from Radner, which I am paraphrasing, is how she mentions she just did what she loved to do, kept taking jobs, and ended up famous.