Monthly Archives: January 2022

“Arrebato” Spanish Cult Horror

Brand-new 4K restoration, written and directed by Ivan Zulueta, 1979 feature Arrebato’s is a popular Spanish cult horror movie. Some consider the film a dimension-shattering blend of heroin, sex, and Super-8 as a final word on Cinemania.

Arrebato follows horror movie director José Sirgado, played by Eusebio Poncela, adrift in a sea of doubt and drugs. As his belated second feature nears completion, two situations pop his reclusive bubble.

First, there is a sudden reappearance from an ex-girlfriend, played by Cecilia Roth. Second, a package arrives from past acquaintance Pedro, played by Will More. It contains a reel of Super-8 film, an audiotape and a door key.

From there, the boundaries of time, space and sexuality disappear as José is once more absorbed into Pedro’s vampiric orbit — a vampire camera that sucks up people, and they disappear.

Together, they attempt the ultimate hallucinogenic catharsis through a twisted strip of filming and being filmed.

The horror movie offers beauty, clearly describing a dark state of living — angst and joy of living with dangerous drugs, alcohol and sex and the love of making movies.

Special Features:

• Region Free Blu-ray

• Commentary Track with Mike White of The Projection Booth

• Documentary: Ivan Z by Andrés Duque (51 min.)

• Theatrical Trailer

• Other Trailers

• Reversible Art

• English subtitles

IMDB supplied additional information.

“The Lover,” Review

Coming from the semi-autobiographical novel by bestselling author Marguerite Duras and directed by Jean-Jacques Annaud, The Lover (L’amant) special edition Blu-ray and DVD release of the 1993 Oscar-nominated and Cesar Award-winning film has hit the streets on its 30th anniversary.

The movie follows a fifteen-year-old French girl, played by Jane March. She returns to Saigon in 1930, where she attends an all-girls boarding school. On her way, a handsome and wealthy Chinese man, played by Tony Leung Ka Kai, of a respectable family, offers her a lift in his shiny black limo.

A passionate affair begins against her family’s disgust. The man becomes alienated from his family because they have selected his bride already. Against the conventions of society, the lustful pair continue their passionate affair, intensifying the attraction with the illicit nature of their rendezvous.

It starts with groping in the limo’s backseat and grows to nightly undertakings at his bachelor pad. Interestingly, the names of the young girl and wealthy man are never said. Slowly and eventually, their relationship disintegrates, and the man slides down into an opium-induced haze and unreturned love.

Many tastefully lit sex scenes allow little room for imagination, including Annaud’s skilled camera work, lingering delicately on the flesh. The paedophiliac situation sidesteps the moral nuances while using sensitivity. Today, the industry may frown even more profound on the issue.

March, a newcomer at the filming, comes across as photogenic and sultry. The character seems detached but amused.

Annaud’s brilliant direction takes in the vibrant scenery to divert from the senseless and gratuitous romantic scenes.

The release includes special features: Special collector’s media book packaging, Two-disc set, Original trailer.

Thank you, Empire, for more information about the production.

Showtime’s “Billions” Season 5

The fifth season of the machinations of Billions is full of double-crosses, complex and shifting alliances and too many gut punches. Ultimately, the viewers know they’ll get a significant reset in the sixth season at the end of the season.

The most noteworthy plot thread in season 5 was the gradual move of Axelrod or Axe, played by Damian Lewis, and Wendy Roades, played by Maggie Siff, acting on their long, and otherwise unstated desire to be together. When we thought it would happen, the season ended, and it was not the happy ending we hoped to experience. We also know Axe is no longer on the show when season six arrives.

According to the showrunners and Variety, Axe leaving started about three years ago. They knew Wendy and Axe would struggle with love, but it would never flourish. If you remember the season finale, Axe is leaving for Europe, running away. He asks Wendy to join him, and she turns him down.

With an unfulfilled relationship ending, other complex plotlines develop with double-crosses, wordplays, and shifting alliances. Van Halen fans appreciated the character reciting his lyrics from “Antic Punk.”

Since rival billionaire Mike Prince, played by Corey Stoll, outmaneuvers Axe in his constant jousts in the marketplace. Prince comes across as kinder, gentle, and socially more appealing compared to Axe. At the end of the season, Axe is tricked by the marijuana kingpin, played by Janeane Garofalo, who moves both contraband and legal weed, which places Axe in a vulnerable posting of money laundering charges.

Taylor Mason, played by Aisa Kate Dillon, holds the cards as the analytical genius but grapples with her conscience and wealth accumulation. A newcomer, Rian, played by Eva Victor, challenges her idealism. Taylor wants to take down Axe and helps Chuck Rhoades, played by Paul Giamatti, bring criminal charges against him. But, in the end, Taylor feels sorry rather than victorious.

As Billions showrunner and co-creator Brian Koppelman explained to Variety, “The central theme of the show has always been can anybody resist the temptation of that level of money and power? Can anybody remain even close to their true selves when that much money is at hand?”