Written and directed by Benedikt Erlingsson, Woman of War follows Halla, played by Halldóra Geirharðsdótti, who seems mild-mannered and friendly to her neighbors. On the contrary, she is a vigilante against the aluminum industry. At night, she crusades to destroy the polluters and causes of climate change.

The newspapers report the vandalism calling her plight as “The Woman of the Mountain.” Halla is scathing mad using a vicious, yet effective, tirade against the Iceland aluminum industry. Her campaign keeps her functioning “normal” but jeopardizes her dream.

A dream of becoming a mother to an orphaned girl from Ukraine, Halla ups the ante, becoming more daring with her antics to stop the aluminum company. She finds herself fighting against time as she questions whether her second life as a notorious eco-terrorist is worth the sacrifice of her impending motherhood.

Filmed with the vivid backdrop of hills in Reykjavik, Iceland, the movie marks another collaboration with Erlingsson and Geirharðsdótti’s long working relationship. I admire Erlingsson’s ability to infuse drama and comedy while Geirharðsdótti’s knack for subtle points of humor drew me into the story. Her vicious tenacity and heart could have gone overboard but pulled back just in time with the introduction of fabled motherhood and discovering what it signifies to be a hero.

Geirharðsdótti carries the story of Halla, a 50-year-old independent woman with a quiet routine, though she leads a double life as a passionate environmental activist. The humor is subtle but effective as the drama builds, and she becomes bolder and bolder from petty vandalism to outright industrial sabotage. She triumphs pausing the negotiations between the Icelandic government and the corporation building a new aluminum smelter in her region.

The story shifts when Halla receives an unexpected letter confirming the adoption of a child. A little girl who waits for her in Ukraine. As Halla prepares to abandon her role as saboteur and savior of the Highlands to fulfill her dream of becoming a mother, she decides to plot one final attack to deliver the aluminum industry a crippling blow.

The final attack is suspenseful because “What if she gets caught?” Her goal to be a mother is no longer achievable. All her efforts are in vain, yet her crusade is for the children like her adopted daughter—securing a livable planet for the generations to come.

Watching the movie until the end is worth it, though there are subtitles. DVDs are available in the States with streaming available on the usual outlets.