Tag Archives: clint eastwood

Dirty Harry, Clint Eastwood

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Who is Dirty Harry?

With crime escalating and the economy on a hellish rollercoaster dive, it is a perfect time to view the 1970s tough-cop action thriller Dirty Harry.

The script, by the married team Harry Julian Fink and Rita M. Fink (based on her unpublished story), Dean Riesner, and John Milius (unaccredited), is a lesson in a tight, fast-paced story.

The .44 Magnum he carries guides a story’s worth of sharp dialogue that launched a movie legend.

Eastwood states the memorable tough-cop line while holding a .44 Magnum, “Make my Day.” He repeats the famous line at the end of the movie. He baits the punk to gamble with his streetwise Russian Roulette.

Who is Clint Eastwood?

Don Siegel’s stylish, almost surreal, at times direction and editing set the pace for Clint Eastwood’s incredible performance as Harry Callahan, a middle-aged, individualist, unconventional cop who throws away the rulebook but gets the short end of the stick.

The screenwriters give Callahan some of the most memorable lines and witty comments in film history, thus establishing the territory for how far a script can go to create the antihero of all jerks while keeping the audience on his side.

The unsolved Zodiac murder case in San Francisco is eerily contemporary today. The opening scene of a public tribute to San Francisco police officers killed in the line of duty fades to the muzzle-barrel end of a high-powered rifle of a serial sniper, a baby-faced hippie killer, on a rooftop with a telescopic lens aimed at a young woman in a yellow, one-piece swimsuit. She swims her lap, he pulls the trigger, the bullet hits her, and she sinks below the surface as the water turns red.

Who is Harry Callahan?

Enter Harry Callahan, the lone wolf investigating the crime scene by himself. He finds the used shell of the shot and a ransom note pinned to a TV antenna. The first few words he says throughout the film are direct responses: “Jesus.”

The handwritten note from the deranged sniper calling himself Scorpio says he will enjoy killing one person every day until he receives one hundred thousand dollars. It will be his pleasure to shoot a Catholic priest or a nigger. I can’t help but remind us of the sniper killings in the D.C. area.

Favorite Dirty Harry Quote

Those surveyed said their favorite Dirty Harry quote is “You’ve got to ask yourself a question. Do I feel lucky? Well, do ya, punk?! The next favorite quote is  “Go Ahead, Make My Day.”

Dialogue Makes the Movie

Spiteful and rude, Callahan was summoned to the Mayor’s office. After the Mayor inquires what he has done about the Scorpio case so far, Callahan complains, waiting, “Oh well, for the past three-quarters of an hour, I’ve been sitting on my ass in your outer office, waiting for you.”

Most Unforgettable Movie Cop Scene

Up next is probably one of the most unforgettable cop scenes in film history, which is often mistaken for the film’s opening scene.

Callahan drives up in his navy blue sedan on a San Francisco street and parks illegally at the red curb in front of an adult bookstore. He walks to a local Burger Den restaurant to order his jumbo hot dog. Callahan casually asks the cook about a tan Ford across the street in front of the bank, with the usual lack of excitement. He suspects a bank robbery and asks the cook to phone the police department and report a two-eleven in progress. Callahan says, “Now, just wait until the cavalry arrives.” he hears the bank’s alarm system and a gunshot after one bite of his hot dog and says, “Oh, Sh-t!”

Cliint Eastwood shows how to point a gun at the camera.
Clint Eastwood shows how to point a gun at the camera.

“I have a very strict gun control policy: if there’s a gun around, I want to be in control of it.”— Clint Eastwood

Clint Eastwood Dirty Harry Quotes

Callahan’s calm and collected strides outside pull out his monstrous, long-barreled, heavyweight Smith and Wesson .44 Magnum. He single-handedly stops the heist by shooting the fleeing bank robbers. Still chewing his hot dog, Dirty Harry fires his sixth shot at the last fleeing robber. He looks down at his pant leg, which indicates blood seeped through from a leg wound. Dirty Harry walks over to the bank entrance. He threatens the wounded robber, who is reaching for his shotgun on the sidewalk.

Aiming the .44 Magnum, Callahan says his memorable tough-cop line baits the criminal to try and use the shotgun- gamble on luck with his streetwise version of Russian Roulette.

The dialogue contributes to the fast-paced movie, while the audience sees Callahan as a tough, unscrupulous cop. In the film review for the New York Times, critic Roger Greenspun describes Callahan as: “Dirty is Harry’s given epithet, and he carries it proudly enough. But he is a knight in shining armor whose dirtiness is mostly rubbed off from the scummy world he keeps trying to wipe clean.”

Clint Eastwood as Dirty Harry

Clint Eastwood is not only a fine actor but also an award-winning director and jazz musician. Each project he works on has a social message important to our society.

Like Dirty Harry, Eastwood communicates the need to help the underdogs and support this generation’s heroes.

Successful Film Directors Explain How to Direct

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Film Director Basics

Directors are the individuals who “translate” the script from the written page into a film.

A conventional director supervises hundreds of people at a time, from scriptwriters to costume and set designers.

Directors are responsible for all technical and artistic aspects of the film.

They conduct auditions, supervise rehearsals and approve location, scenery, costumes, choreography, and music. In short, they direct the entire cast and crew during shooting.

They frequently have several assistant directors helping them handle extras, equipment transport, and arrangements for food and accommodations.

The director’s job is not an entry-level position. Usually, individuals start in another phase of filmmaking and then take advantage of the opportunities and then advance to directing jobs.

Get Directing Experience With Music Videos

Music videos provide experience for budding directors. Directors who started directing music videos include David Fincher, Jonathan Dayton, Valerie Faris, Michael Bay, and Marc Webb.

Successful directors are involved in all three phases of production, from beginning to end.

Some directors assume multiple roles, such as director-producer or writer-producer-director.

Whatever other roles they take on, as directors, they must know how to hire the right people, fire the wrong ones, and manage people so the crew works as a dedicated team.

Kazan Speaks About Being a Director

In the autumn of 1973, Elia Kazan, director of such classic films as Gentleman’s AgreementA Streetcar Named Desire, and On the Waterfront, was honored by a two-week retrospective of his films at Wesleyan University, Middletown, Connecticut. After the program, Mr. Kazan gave this timeless talk to students. It is what he said about the role of a director.

“What kind of person must a film director train himself to be? What qualities does he need?” he asked. Here are a few: A construction gang foreman, who knows his physical problems and their solutions and is ready, therefore, to insist on these solutions…A hypnotist who works with the unconscious to achieve his ends. A poet, a poet of the camera, able both to capture the decisive moment of Cartier-Bresson (Henri Cartier-Bresson, a French humanist photographer known as the master of candid photography, an early user of 35 mm film) or to wait all day like Paul Strand for a single shot, which he makes with a bulky camera fixed on a tripod. An outfielder, for his legs — the director stands much of the day, dares not get tired, so he has strong legs. Think back and remember how the old-time directors dramatized themselves — by puttees, right?”

Patience is a Virtue

Kazan continues with his talk, “He also needs to be cunning of a trader in Baghdad bazaar — the firmness of an animal trainer — obvious tigers! A great host — At a sign from him, fine food and heartwarming drink appear. The kindness of an old-fashioned mother who forgives all, the authority and sternness of her husband, the father, who forgives nothing, expects obedience without question, brooks no nonsense — these alternatively. The elusiveness of a jewel thief – no explanation — takes my word for this one. The blarney of a PR man, especially useful when the director is out in a strange and hostile location as I have many times been. A very thick skin — a very sensitive soul – simultaneously — the patience, the persistence, the fortitude of a saint, the appreciation of pain, a taste for self-sacrifice, everything for the cause — cheeriness, jokes, playfulness, alternating with sternness, unwavering firmness. Pure doggedness — an unwavering refusal to take less than he thinks right out of a scene, a performer, a co-worker, a member of his staff, himself.”

Film Director Salary

According to the Directors Guild of America, the salary of a film director varies depending on the director’s talent and box-office success. Directors shooting a high-budget movie at $11 million or more earn a minimum $19,143. Working a week on a short film or documentary, directors earn $13,672.

If a movie production takes longer than a week, directors shooting high-budget productions earn $4,786 a day. In short films or documentaries, directors make $3,418 a day. Directors working in the industry earn, on average, an annual wage of $111,320.

Directors successful at the box office earn anywhere from $1 million to $75 million per movie.

Drives the Production

Being a director is a huge responsibility because the crew, cast, producers, and audience count on you to deliver a piece of professional art.

A director beats his heart and soul throughout the production from pre-production, production, and post-production. He is the drive that makes the film a believable and understandable story. He is the drive that makes the film a credible and coherent narrative.

So, if you are thinking of becoming a director, you need an open heart. You need to care about people in general. Then, you know you can care about your crew and actors. Otherwise, reconsider your desire or quest because a director is a people person and a technical whiz-bang.

Good luck with your career, and let me know about your successes.