Directed by Michel Hazanavicius, who won the Best Picture Oscar for The Artist, which I totally recommend that you see The Artist if you haven’t seen it yet. It is brilliant.
With, that Hazanavicius brings us another brilliant movie called Godard Mon Amour. The movie is a true story of Jean-Luc Godard at a turning point in both his own groundbreaking career and in the art of cinema.
Just like the movie The Artist, which was set in the silent film era, Hazanavicius again tenderly transfers moviegoers back to a unique time and place in cinematic history. Known as France, in the late 1960s. We meet a Young actress Anne Wiazemsky, played by Stacy Martin, who achieved instant fame as the teenage star of Robert Bresson’s Au Hasard Balthazar. She finds herself juggling political protests and artistic challenges in her married life with Jean-Luc Godard, played by Louis Garrel.
Goddard, for those who don’t know who he is, is the fearless, innovative and significant director of Breathless, Band of Outsiders and Contempt. As Wiazemsky country undergoes enormous cultural change, so too does her dynamic with her husband, as the great director becomes absorbed in the political and cultural moment and less emotionally available to his wife.
Nominated for the Palme d’Or at the Cannes Film Festival and four César Awards, including Best Actor and Best Director, and co-starring Bérénice Bejo of The Artist, Godard Mon Amour is a global sensation – both as a tribute to a crucial moment in cinema history and as the resounding artistic triumph in its own right.
Ed Potton of The Times of London said Godard Mon Amour “manages to be a biopic, postmodern comedy, stylistic homage and poignant relationship study all at once.”
“Garrel is wonderfully dead-on as the director,” said Chris Nashawaty of Entertainment Weekly, adding, “Martin manages to convey some of the heartaches in watching the man you love turn sour.”
Donald Clarke of The Irish Times called the film “occasionally disrespectful and hugely amusing … It’s carried off with an irreverence that would delight Mel Brooks.”
Such a wonder of just about two hours spent enjoying filmmaking and filmmaker Goddard, I hope you get a chance to see Godard Mon Amour because it is a great movie for any movie aficionado.
