Category Archives: drama

Godard Mon Amour Brilliant Movie by Hazanavicisu

comedy, drama, , , ,

Directed by Michel Hazanavicius, who won the Best Picture Oscar for The Artist, which I totally recommend that you see The Artist if you haven’t seen it yet. It is brilliant.

With, that Hazanavicius brings us another brilliant movie called Godard Mon Amour. The movie is a true story of Jean-Luc Godard at a turning point in both his own groundbreaking career and in the art of cinema.

Just like the movie The Artist, which was set in the silent film era, Hazanavicius again tenderly transfers moviegoers back to a unique time and place in cinematic history. Known as France, in the late 1960s. We meet a Young actress Anne Wiazemsky, played by Stacy Martin, who achieved instant fame as the teenage star of Robert Bresson’s Au Hasard Balthazar. She finds herself juggling political protests and artistic challenges in her married life with Jean-Luc Godard, played by Louis Garrel.

Goddard, for those who don’t know who he is, is the fearless, innovative and significant director of Breathless, Band of Outsiders and Contempt. As Wiazemsky country undergoes enormous cultural change, so too does her dynamic with her husband, as the great director becomes absorbed in the political and cultural moment and less emotionally available to his wife.

Nominated for the Palme d’Or at the Cannes Film Festival and four César Awards, including Best Actor and Best Director, and co-starring Bérénice Bejo of The Artist, Godard Mon Amour is a global sensation – both as a tribute to a crucial moment in cinema history and as the resounding artistic triumph in its own right.

Ed Potton of The Times of London said Godard Mon Amour “manages to be a biopic, postmodern comedy, stylistic homage and poignant relationship study all at once.”

“Garrel is wonderfully dead-on as the director,” said Chris Nashawaty of Entertainment Weekly, adding, “Martin manages to convey some of the heartaches in watching the man you love turn sour.”

Donald Clarke of The Irish Times called the film “occasionally disrespectful and hugely amusing … It’s carried off with an irreverence that would delight Mel Brooks.”

Such a wonder of just about two hours spent enjoying filmmaking and filmmaker Goddard, I hope you get a chance to see Godard Mon Amour because it is a great movie for any movie aficionado.

Golden Globe Winner – In The Fade

drama, foreign films, suspense, , ,

Written and directed by Fatih Akin, In the Fade is the winner of the Golden Globe for Best Foreign Language Film and Best Actress Festival De Cannes for Diane Kruger’s performance of Katija. Her life suddenly falls apart because out of nowhere her husband Nuri, played by Numan Acar, and little son Rocco, played by Rafael Santana, are killed in a bomb attack.  Kruger performance is so believable in these scenes it was hard for me to watch. Any wife and mother will relate to what it must be like to suddenly lose your family.

Katija friends and family try to give her the support she needs, and Katja somehow manages to make it through the funeral. But the mind-numbing search for the perpetrators and reasons behind the senseless killing complicate Katja’s painful mourning, opening wounds and doubts. The mourning is not too long and fits well with the storyline.

Danilo, played by Denis Moschitto, a lawyer and Nuri’s best friend, represents Katja in the eventual trial against the two suspects. The suspects are a young couple from the neo-Nazi scene. The trial pushes Katja to the edge, but there’s simply no alternative for her because she wants justice.

In the Fade is a political film that throws a lot of punches at the injustice of senseless killings to make a strong statement.  Kruger is a strong actress and brings believability to her role. There are situations in the film which explain the injustice but Katija doesn’t buy it and wants justice.

The film is in German with English subtitles. Special features include cast interviews, Behind In The Fade & Inside In The Fade.

 

Dakota Fanning Filters Star Trek in Please Stand By

drama, movies, review, , ,

Directed by Ben Lewin, Please Stand By introduces the world of Wendy, played by Dakota Fanning, a confusing place.  Wendy is an imaginative and resolutely independent young woman. She is a brilliant young woman with autism.

The autism message is upbeat and supports individualism – accept people for who they are. If you don’t, you take away their freedom.

Wendy yearns to leave the steadfast schedule of her group home. She wants to return to a life she had with her sister’s family. They have a new baby, so she needs to prove she can be responsible first before she can live with her sister again.

Wendy is a staunch fan of anything to do with Star Trek. She even spends a great deal of her free time writing fantasy stories, proving she is a capable person.

The movie starts off tilter but we soon learn that Wendy uses her Star Trek filter to understand people. People are an indecipherable code.

The story takes an interesting turn when Wendy learns about a screenplay competition. She is determined to finish her 500-page Star Trek script, so she can enter the competition.  If anyone knows about screenwriting, you know 500 pages are about 390 pages too long.

Wendy needs to get the script to Hollywood.  The problem is getting it there by the deadline, Wendy must travel hundreds of miles outside her protected boundaries to submit her script in person.  The story becomes a road-trip movie.

Wendy has an adorable little dog named Pete. She carries him in her purse with only a few dollars in her pocket.  In her terms, she is boldly going where she has never gone before.  Her unconventional therapist, played by Toni Collette, is not far behind in hopes of catching up with her. The same for Wendy’s sister, played by Alice Eve.

On her trip, Wendy meets all sorts of people who help her. These are colorful moments in the movie. They all encourage her to follow her dream and find her place in a world she hopes will accept her.  She wants to be accept just like everyone else.

Fanning is great as Wendy, and its refreshing to see her work with Collette and Eve.

Molly’s Game with Jessica Chastain & Idris Elba

book, drama, , , , ,

Written and directed by Aaron Sorkin, the writer who brought us The Social Network, Moneyball, A Few Good Men, and the popular television series The West Wing, takes a turn in the world of Molly Brown with Molly’s Game. A true story about an Olympic hopeful skier’s career is wrecked. At the age of 26, Bloom uses her tenacity, stamina, wits, and perspicacity and takes over the ultimate boys club of exclusive high-stakes poker and builds an empire.

Sorkin directorial debut received an Oscar nomination for Best Adapted Screenplay.  His speed and energy can clearly be felt and seen as we watch Jessica Chastain, two-time Oscar-nominated actress for The Help and Zero Dark Thirty, plays Bloom. Chastain embodies Bloom like she does all the characters she plays.

In an interview, Sorkin talked about how he wanted Chastain to play this role. He envisioned her as Bloom and wrote with her in mind. Clearly, Chastain commands the movie, and Sorkin choice of casting is pristine. As a powerhouse, Chastain becomes Bloom as she runs a high-stakes poker game for a decade before becoming a target of the FBI.

Idris Elba, known for Star Trek: Beyond and Beasts of No Nation, joins Chastain as her only ally and criminal defense lawyer Charlie Jaffey. It is through Jaffey’s story that we learn there is much more Bloom than what was printed in the tabloids. But, this isn’t new news to the audience. We are wiser than Sorkin allows us to be.

Perhaps, that is where the story drops and we are lost among the charismatic supporting characters of the story.  I ask myself, “How did such a bright person alike Bloom get mixed up with a bunch of tainted characters?”

I am not sure if the scene with her father, played by Kevin Costner, answers that question, though I was hoping it would.

Her undoing was Russian gangsters and her abuse of Adderall, Xanax, cocaine, alcohol, and more becoming a drug addict.  She is also abused and kicked, which Sorkin cuts to her skiing accident in the movie. Are these justifiable reasons for her demise?

The movie has a drive and energy coming from Chastain, and I admire her ability to portray such a complicated woman. Perhaps, you will see where Bloom took the wrong turn and ended up going against the Russians and FBI with the help of Jaffey.

Daniel Pemberton’s electronic soundtrack with titles like “Starring Down a Mountain,” “Play Your Hand,” and “All the Beauty in the World” adds to the intensity of the story. Pemberton has an impressive repertoire of both movies and television including Black Mirror, King Arthur: Legend of the Sword, Steve Jobs (Sorkin wrote the screenplay,) and Peep Show.

Chastain and Elba are surrounded by a stellar supporting cast, including Michael Cera, Jeremy Strong, Bill Camp, and Chris O’Dowd.

The bonus features are light with Building an Empire – Sorkin, and Chastain commenting on Molly Bloom’s true story.

In the final analysis, the positive aspect of Sorkin’s writing and directing is he did not glorify Bloom’s adventure. He presented a tapestry of anticipation, deception, and repartee.

 

The Dance Academy: The Comeback

dance, drama, romance, , , , , , , ,

My daughter is a dancer with 10 years of ballet and over five years of jazz and tap. She is familiar with Dance Academy series from Australia and has watched a few episodes in her high school dance class. She says the dancing is really good in the series, but the storyline and acting are a bit cheesy. Still, the series has been nominated twice for an Emmy, so it does have some merit. Now, there is a major motion picture based on the series with the same characters and original members of the series.

Directed by Jeffrey Walker, Dance Academy: The Comeback follows the same characters as they work hard to achieve their dreams in the world of competitive dance.  Like the series, if you love ballet or dance, you will love this movie. It is very similar to the series because it starts off 18 months later from where they left off in the series.

The story follows the dancers Tara, Ben, Christian, Kat, and Abigail as they support each other pursuing their dreams in New York City.  I found myself cheering for Tara while still stressing over her injury, hoping she doesn’t injure herself again.

The dancers are older, so the movie deals adult situations like fatal illness, romantic relationships, and dealing with a difficult career choice. If you haven’t seen the television series, the movie will still hold its own, but it helps to know the dancers’ background stories from the series.

The movie has the original dancers such as Xenia Goodwin, Thomas Lacey, Keiynan Lonsdale, Alicia Banit, Dena Kaplan, and Jordan Rodrigues – along with some new faces, including Miranda Otto and Nic Westaway.

The DVD offers special features including behind-the-scenes glimpses, as well as cast interviews about their characters. The extras include 3 Words, Filming the Stage, The Choreographers, Shooting in NYC, and Resilience & Mentors.

Cannes Festival Winner: The Square an Elegant Satire

drama, foreign films, , ,

Directed by Ruben Ostlund, The Square is 2017 Cannes Film Festival – Winner: Palme d’Or. The movie follows Christian, played dynamically and heartfelt by Claes Bang, who is the esteemed curator of a contemporary art museum. He is a divorced but devoted father of two girls and drives an electric car. He also supports good causes but there is an edge to him. His actions at times contradict his devotion. For example, he turns away homeless people or refuses to help a boy who is falsely in trouble with his parent’s cause by Christian’s attempt to recover his stolen wallet and cellphone. In all, the movie is a satire and a drama pointing out flaws of society’s inability to help and trust each other.

Christian’s next show at the museum is “The Square”, an installation which invites passersby to altruism, reminding them of their role as responsible fellow human beings. But sometimes, it is difficult to live up to your own ideals. Ostlund points out in a recent media statement, “…The Square is a drama/satire. I wanted to make an elegant movie, with visual and rhetorical devices to provoke and entertain viewers. Thematically the film moves between topics such as responsibility and trust, rich and poor, power and powerlessness. The growing beliefs in the individual and the declining beliefs in the community. The distrust of the state, in media and in art.”

Christian’s foolish response to the theft of his phone drags him into shameful situations that are a bit drawn out for my tastes, but I understand the director’s point. Bang takes this role and owns it. He conveys the push and pulls off what he wants to do and what he should do.

Meanwhile, the museum’s PR agency has created an unexpected campaign for “The Square”. The response is overblown and sends Christian, as well as the museum, into an existential crisis. I question the crisis in the story because the PR agency generates enough free publicity and social media trends that the art piece and museum will flourish.

Elisabeth Moss of The Handmaid’s Tale has a supporting role in the movie where she and Bang play off each other brilliantly and it is fun to watch. Her comedic timing cinches the point it is a satire. It is obvious why Moss’ career is taking off like a rocket in the stars. She is just too fun to watch.

So much happens in this movie and there are moments where my shadow of disbelief lifts because of the crazy situations like a man being an ape as an art piece. Silly.  I am sure some will find it funny, which make this movie so good.

The DVD comes with some bonus features like the trailer and casting clips, disappointingly Moss’ casting clip is not in the bunch.

The movie’s title comes from the name of a project that was first exhibited in the fall of 2014 at the Vandalorum Museum in the South of Sweden. The exhibition representing the ideal of consensus that should govern society as a whole for the greater good. The project became a permanent installation on the city of Värnamo’s central square. If someone is standing in Värnamo’s led-light version of a square, it is one’s duty to act and react if one needs help.

The movie is in Swedish with English and Spanish subtitles, though English is sometimes spoken in certain scenes. Hopefully, viewers leave the movie with a more understanding of how help is important and one should trust others more so there will be peace on Earth.

 

James Patterson’s Zoo: Third & Last Season

book, drama, television, thriller, , ,

Zoo: Third Season from CBS is the last season for the drama series based on the novel written by James Patterson and Michael Ledwige.  The story takes a jump forward and is set 10 years after the animals were cured and humanity was left sterile.

The season follows Abraham, played by Nonso Anozie, who is now a doctor and is helping Clementine, played by Gracie Dzienny, find her father Mitch, played by Billy Burke. The huge plot point is Mitch is being held in suspended animation in a secretive location.

The year is now 2027 and the world has reached a tipping point. The human population continues to dwindle due to a sterility problem and devastating threat rises in the form of the hybrids. These hybrids are an army of unstoppable lab-made creatures who are hell-bent on destroying mankind. Although the team has become estranged over the past decade, they are forced to overcome their differences and reunite when they learn that Mitch is alive. As the planet’s future hangs in the balance, the team must race to stop the hybrids and their creator – a shadowy figure with a startling connection to the team’s past.

Another change of events is Jamie, played by Kristen Connolly, is now a successful author trying to find “The Falco” and what is left of the Shepherds. Still, there is Jackson, played by James Wolk, and Logan, played by Josh Salatin. Both are trying to hold the hybrids at bay. As I went through the DVS I discovered that all the characters work super hard to overpower and wipe out the hybrids. At the same time, they are an urgency to find a cure for sterility.

The third season DVD arrives with deleted scenes and a gag reel that complements the whole package as the final season of a series that started off like a rocket ride and slowly fizzled as the storyline became scattered.

Person to Person

drama,

Directed by Dustin Guy Defa, Person to Person follows several New Yorkers while we are haphazardly introduced to them with strings of delicious scenes any acting student would cherish as a scene study project.

I offer accolades to the actors in this movie because they drive the well-scripted movie. Whether the audience will get the overall storyline is iffy. The eclectic scenes bespoke a record collector who hustles for a big score while his heartbroken roommate tries to erase a terrible mistake, a teenager, played by Tavi Gevinson, bears witness to her best friend’s, played by Olivia Luccardi, new relationship, and a rookie reporter, played by Abbi Jacobson, alongside her ultra-demanding supervisor, played by Michael Cera, chases the clues of a murder case involving a life-weary clock shop owner.

The movie was shot entirely in 16mm, which adds a nostalgic look to New York City, but I am sure it was bumped up for presentation purposes but haven’t verified it yet.

Seeing Cera as a metal-head boss working the beat is unique because I have only seen him in more passive roles. Check out this clip and you will see what I mean.

The soundtrack is just as much a part of the movie as the characters and city. I heard some indistinct R&B and familiar songs with Shirley Ann Lee’s “Time,” Greenflow’s “I Got’cha,” and the Volumes’ “I’m Gonna Miss You.”

Another way to describe this film is that it reminds me of Woody Allen’s work because of the defined scenes that naturally edifies its characters, summoning a heartfelt truth in each performance.

The Beguiled

book, drama, remake, , , ,

Directed by Oscar-winner Sofia Coppola (Lost in Translation), The Beguiled is billed as a seductive thriller. Winner of the Best Director award for Coppola at the 2017 Cannes International Film Festival, the movie is based on the novel and 1971 movie of the same title starring Clint Eastwood and Geraldine Page.

The dark lighting, intense undercurrents, authentic costumes, and scenery set the story as a historical thriller. The exceptional performances include Colin Farrell, Nicole Kidman, Kirsten Dunst, and Elle Fanning.

The story progresses slowly during the Civil War at a Southern girls’ boarding school. One of the 12-year old girls out picking mushrooms discovers an injured enemy soldier, played by Farrell. While he is nursed back to health, the boarding school provides refuge as well. Kirsten Dunst the teacher, Nicole Kidman the headmistress, and Elle Fanning one of the girls, portray southern women who struggle with decorum and visceral desires with the soldier. The soldier slowly becomes intimate with each of the three women, and a sexual tension escalates bringing about an overwhelming rivalry that becomes very dangerous for the soldier.

As mentioned, the story is slow, and some viewers may walk away wondering how a group of women can lose their senses with only one man in their circle.

The soldier’s outcome is not surprising and seems fitting for the circumstances.

Coppola created an authentic setting with costumes, art design, production sets, and music.

The Blu-ray comes with exclusive featurettes taking viewers behind the scenes and exploring Sofia Coppola’s unique vision.

Some of the Features:

A Shift in Perspective -Filmmakers and cast discuss how this version of The Beguiled is a departure from the novel of the same name and its earlier film adaptation. Screenwriter/director Sofia Coppola describes how the talented cast helped bring her vision to life.

A Southern Style – Discover how costumes, hair, and many other elements came together to create an immersive experience not only for the audience but also for the actors.

2:22

drama, suspense, thriller, , ,

Directed by Paul Currie and starring Michiel Huisman, Teresa Palmer, and Sam Reid, the movie follows air traffic controller Dylan Branson, played by Huisman, where two planes almost collide after a blinding flash of light paralyzes him for a few seconds.

As a result, Branson is suspended from his job, and he becomes cognitive of repetition of sounds and events in his life at exactly the same time every day. Guess what time that is? The title of the movie, 2:22.

The underlying pattern soon builds and draws him New York’s Grand Central Station daily at 2:22 p.m. He meets up with a woman who works in an art gallery, Sarah, played by Palmer, disturbingly complicated by her ex-boyfriend Jonas, played by Reid. Still, Dylan must break the power of the past, and take control of time itself.

Every day, on the main concourse of Grand Central Terminal, Branson sees a businessman at the ticket counter reading a newspaper, a couple kissing, six school children, and a pregnant woman standing under the famous clock. It’s not always the same businessman, but it’s always the same pattern.

Earlier in the day – other patterns play out and haunt Dylan – a plane flies overhead, glass shatters, car screeches. It becomes clear to Dylan, and to Dylan alone, that these supposed random series of events, in this busy, noisy city, are not so random.

This is the enigma of 2:22.

How this movie plays out is crucial to whether or not the movie will be enjoyed, and Currie describes it best, “2:22 is about the fear of love. It’s also about the past that can secretly haunt us all. It’s a story about a guy who is trying to protect his girl at all costs, against time itself. Time is both Dylan’s ally and his enemy.”

The movie isn’t perfect and some may find it hard to enjoy, but it is a good attempt at a complex topic about taking control of time both the past and the future.