Directed by Janus Metz with a screenplay by Olen Steinhauer, adapted from his bestselling novel of the same name, All the Old Knives starts on a bleak winter morning in Vienna. CIA Chief of Station Victor Wallinger, played by Laurence Fishburne, visits veteran case officer Henry Pelham, played by Chris Pine, and delivers volatile news.
Ilyas Shushani, played by Orli Shuka, the Chechen extremist who masterminded a deadly hijacking that killed more than 100 airline passengers and crew in Austria eight years ago, has been captured by the agency. During interrogation, Shushani revealed that a mole in the Vienna station provided vital intelligence to the hijackers, resulting in the catastrophic loss of life. With this new information, Henry is assigned to reopen the case of Flight 127 and identify the traitorous double agent.
But the mission means revisiting painful memories and laying traps for old friends. Even for a spy as adept at compartmentalizing his emotions as Henry is, that’s no easy task. His first stop is a pub in London, where he surprises his former superior, Bill Compton, played by Jonathan Pryce, who was second in command in Vienna during the hijacking. Long since retired from the agency, Bill considers the incident ancient history. Still, Henry points out several disturbing inconsistencies in Bill’s story, suggesting he knows far more than he’s letting on.
With troubling investigation details piling up, Henry travels to Northern California to question another retired Vienna station colleague, Celia Harrison, played by Thandiwe Newton. Henry and Celia were once passionate lovers, more than just ex-coworkers, but their relationship fell apart after the hijacking disaster.
When they meet for a meal together at a stylish cliffside restaurant in Carmel, romantic sparks reignite as the two seasoned spies reminisce about their bittersweet past. But as night falls and the dinner conversation gradually becomes an interrogation, their intimate rendezvous becomes a sly cat-and-mouse game played by two experts, where the stakes are life and death.
As his second feature film, Danish filmmaker Metz found the script most intriguing because of its powerful emotional depth and the complex ethical questions it raises. “I fell in love with the script from the moment I read it,” says Metz. “It was a very compelling story about two CIA agents meeting for dinner, one tasked with interrogating the other. Essentially, it’s a love story interwoven with a spy thriller. There’s a whodunit plot that drives the film, but Henry and Celia’s tragic relationship anchors everything.”
Metz believes the film is about people forced to make difficult choices to preserve what they care about, regardless of the consequences. “It’s a story about trying to do the right thing at the right moment,” he says. “But the dilemma for Henry and Celia is that they are in a situation where that becomes next to impossible.”
