Set in war-torn Afghanistan in 2018, Guy Richie directs The Covenant. The film follows U.S. Army Special Forces Sergeant John Kinley, played by Gyllenhaal. Kinley leads an elite unit tasked with finding Taliban munitions. “He has been deployed numerous times and has a tremendous amount of experience. He has relied on many different Afghan interpreters and has found himself in many different situations,” says Gyllenhaal. “His unit is constantly under threat and in very dangerous situations, and at the beginning of the movie, he seems to be striking out over and over. He’s going through a lot of red tape and is struggling to find any munition sites.”
On a mission with a new interpreter, Ahmed, Dar Salim, after an I.E.D. kills his regular interpreter. Kinley’s unit is all but wiped out by Taliban fighters when they raid an abandoned mine to house explosives.
Only Kinley and Ahmed manage to escape the attack, the pair stranded in Taliban territory with dozens of armed men after them. Ahmed carried John, who had been shot and seriously wounded, to safety through the desert and over a mountain.
But that’s only half the battle.
The Taliban forced Ahmed and his family into hiding, putting a heavy price on his head as Kinley returned home to the U.S.
Feeling an overwhelming sense of obligation to get Ahmed the visas the U.S. government promised his family, Kinley finds himself mired in bureaucracy and red tape. With his wife’s blessing, he returns to Afghanistan to find Ahmed and his family and bring them back to the U.S.
Guy Ritchie also directed Sherlock Holmes and its sequel, Sherlock Holmes: A Game of Shadows, the live-action adaptation of Disney’s Aladdin, had always wanted to make a war film. “It’s probably my favorite genre of movies, but we couldn’t find a story that appealed for a long time,” he says.
Ironically, while developing another war movie, Ritchie watched several documentaries about the conflict, and one about interpreters and what they go through struck a chord. “I’d heard various anecdotes about Afghanistan that all sounded, in equal measure, horrifying and inspiring,” says Ritchie. “That was the genesis of the idea that you could see humanity in this traumatized environment, and it still managed to express itself. And this was an amalgam of the different stories, documentaries, anecdotes that I was aware of. And, obviously, the story of one man’s selflessness for another was what I found inspiring about the premise.”
“He thought it was an important story to tell and thought he could tell it through his lens,” says producer John Friedberg, “so he came up with this idea.” Gyllenhaal’s character in The Covenant is on his last tour of duty, trying to make a difference in Afghanistan but also desperate to get home to his wife and family in Santa Clarita, CA. “He represents the boots on the ground, the practical reality of the disparity between how we think things work at an administrative level and how they work at a practical level,” says Ritchie. “He is a good, old-fashioned classical, decent, brave soldier who’s loyal to his country and loyal to his men.”
“What I loved about John Kinley is he’s a good man,” says Gyllenhaal. “Over the past number of years, I’ve tended to move towards characters people would define as ‘complex’ in how they walk the line between good and bad. I don’t know if I fully believe in that. I think we are all very complex, very fascinating human beings put in many different trying circumstances. To me, John Kinley is a character who, through those trials, pulls out morality and humanity, despite himself.”
