Directed by Michael Polish, Force of Nature stars Mel Gibson in an edge-of-your-seat action-thriller that erupts during a violent Category 5 hurricane.
The story follows a disgraced cop named Cardillo, played by Emile Hirsch, who races to evacuate an apartment building. He comes across Dr. Troy, played by Kate Bosworth, and her retired detective father named Ray, played by Gibson.
When a murderous gang of thieves arrives to rob a wealthy tenant, they must join forces to battle the criminals and escape for their lives before the entire city is deep underwater.
Directed by Malik Vitthal, Body Cam starts when a routine traffic stop results in the unexplained, grisly death of her colleague. A cop, Mary J. Blige, realizes footage of the incident will play for her eyes only. As the attacks mount, she races to understand the supernatural force behind them.
You can catch on Amazon or other streaming platforms.
Directed by Anthony Nardolillo, Shine is a Puerto Rican dance-themed movie. The dance scenes with an upbeat tempo are the best reason to see the movie. Watch the movie trailer, and you will see what I mean. Wouldn’t you like to dance like that? Or, at least, watch them dance with such freedom.
The story follows two Puerto Rican brothers, Ralphi Matas, played by Jorge Burgos, and Junior, played by Gilbert Saldivar. They are from New York’s Spanish Harlem, where we can find the street’s best Salsa dancers. The brothers are separated after a tragedy only to reunite years later on opposing sides of gentrification, which is restoring and rebuilding a deteriorated development.
Seven years of absence from New York City places Ralphi in a different frame of mind. He is back to develop commercial real estate in his old neighborhood. When he returns, he encounters his estranged brother, Junior, who is following his father’s footsteps. Ramon Matas, played by David Zayas, is now an elite salsa dancer and an unwavering activist opposing gentrification in the neighborhood.
The two brothers are at odds and are not communicating or rationally talking to each other because there is a lot of angst because of the tragedy. So, having to face his past to succeed in the present, Ralphi must confront his boss Linda, played by Alysia Reiner, who is aggressively pursuing the lucrative development deal that brought him back to the city he was born, and this is driving the wedge even further between him and his brother.
But, there is more to the story because on the other side, Josie, played by Kimberli Flores, the hot, gorgeous new owner of their father’s dance studio, reveals she is behind on the mortgage payments. Junior rallies the local dance community to raise funds against all odds to save the dance studio despite his brother’s gentrification efforts.
While the brothers have chosen opposite paths thus far, they are brought back together when Tio Julio, played by Nelson Gonzales, reminds them of the power of family and the importance of their community.
The story is about families being divided, but the dancing is unbelievable.
Nardolillo is best known for his 2007 short film Mano, starring Giancarlo Esposito and Laz Alonso. Nardolillo has also directed several music videos. He is credited as the writer and director of the YouTube sensation music video Chachi Gonzales.
I spoke with Nardolillo late last week, and he talked about certain aspects of the gentrification theme of the movie that was cut out. He also said of the love between the two brothers in the film, “There’s a unique bond where they could punch out each other. But if someone else tried to punch out the other brother, they’d step up and protect each other,” explains Nardolillo, “The relationship can go from hot to cold – extreme anger to extreme love, which inspired me.”
Nardolillo talked about directing music videos, and I asked if he required any Salsa music videos, “There’s one video, in particular, where I shot Salsa, but everything else is a fusion of hip-hop and modern dance.” clarifies Nardolillo, “I appreciate all forms of dance. I love shooting dance because there’s a need for choreography in the camera work. I look at everything through a rhythmic lens. Even in dramatic scenes, there’s something rhythmic about everything.”
