Directed by Joe Wright, Cyrano comes to the movie theaters once again with a different perspective. With Darkest Hour, Anna Karenina, and Pride & Prejudice on his resume promise the new version of a classic story resplendent with songs and dancing will consume audiences.
Wright’s style envelops us in a symphony of emotions with music, beauty and romance. Cyrano reimagines the timeless tale of a heartbreaking love triangle. Cyrano de Bergerac, played by Peter Dinklage, a man ahead of his time, dazzles others with ferocious wordplay at a verbal joust or with exceptional swordplay in a duel.
Yet, convinced that his appearance renders him unworthy of the love of a devoted friend, the luminous Roxanne, played by Haley Bennett, Cyrano has not declared his feelings for her. And Roxanne has fallen in love with Christian, played by Kelvin Harrison, Jr.
Written and directed by Paul Thomas Anderson, Licorice Pizza follows Alana Kane, played by Alana Haim, and Gary Valentine, played by Cooper Hoffman, growing up, running around and falling in love in the San Fernando Valley in 1973. The film tracks Anderson’s take on the treacherous navigation of first love.
The movie also stars Sean Penn, Tom Waits, Bradley Cooper and Benny Safdie.
Adam Driver (Maurizio Gucci) and Lady Gaga (Patrizia Reggiani) in HOUSE OF GUCCI A film about the tumultuous Gucci family fashion dynasty and the murder of the founder Guccio Gucci’s grandson Maurizio Gucci. Director: Ridley Scott Cast: Lady Gaga, Adam Driver, Al Pacino, Jeremy Irons, Jared Leto, Jack Huston
Directed by Ridley Scott, House of Gucci follows the headlines of the shocking true story of the family empire behind the Italian fashion house of Gucci. The Blu-ray/DVD comb-pack is now available.
I enjoyed watching the acting, amazing talent, though the pace of the film is slow. Like Scott’s The Last Duel, too much posturing by the actors. But, this is the director and editor’s job of starting the scene later and ending it sooner. I don’t think Scott has lost his touch. Perhaps the lack of pre-screening with audiences is the cause. That we can blame on the pandemic with the closing of the movie theaters.
Costume, makeup and the production design impressed me as well. Overall, the movie sparked my interest in how a family could self-destruct. That is an interesting story to tell. I don’t think Reggiani is totally to blame.
If you want to see some talented actors, see the movie. It’s worth it.
Spanning three decades of love, betrayal, decadence, revenge, and ultimately murder, we see what a name means, what it’s worth, and how far a family will go for control.
The scandal-ridden real-life family drama House of Gucci, the latest film from Scott, the protean director of such classics as Alien, Blade Runner, Gladiator and Thelma & Louise.
Recognized and admired around the globe, Gucci is the fashion label of founder Guccio Gucci, who opened his first quality leather goods store in Florence, Italy, precisely one hundred years ago.
In the late 1970s, the story begins at a critical juncture in the famed Italian fashion empire’s history. As the Gucci family’s global reach has broadened, there are have hints of financial improprieties, stifled innovation and a cheapening of the brand. Guccio Gucci’s two sons, the colorful and wily Aldo, played by Al Pacino, and his more conservative and detached sibling Rodolfo, played by Jeremy Irons, oversee the Gucci business.
The tenacious Aldo has no intention of ceding control of the family concern, certainly not to his fanciful son Paolo, played by Jared Leto. He is more interested in becoming a clothing designer. His brother Rodolfo’s timid and overprotected scion, Maurizio, played by Adam Driver, would prefer to study law than assume the mantle of a global fashion empire.
Then Maurizio meets and falls in love with the beautiful and ambitious Patrizia Reggiani, played by Lady Gaga, and marries her against his father’s wishes. Uncle Aldo finds a kinship in the cunning Patrizia. Together, they persuade Maurizio to set aside his legalistic ambitions and join the company, thus becoming the presumptive heir — much to the displeasure of the hapless Paolo, whose design dreams outweigh his talent.
For a short time, the bad blood simmers, and the various members of the Gucci dynasty begin to co-exist. But as Gucci rivals threaten to erode their preeminent place in the quality fashion hierarchy, Patrizia goads Maurizio into staging a coup. After inheriting his father’s position in the company, the couple slowly and stealthily seizes control of the business. They connive Paolo into selling his shares by dangling false promises. And with the help of the family’s financial advisor, Domenico De Sole, played by Jack Huston, shortly after Aldo is released from prison for tax evasion, they buy him out as well.
As sole head of the company, and with a fresh infusion of financing from outside investors, Maurizio is no longer hesitant to revel in his power and the privilege it accrues. Having betrayed his family, he now turns on Patrizia and starts an affair with a childhood friend, Paolo Franchi, played by Camille Cottin.
Her ambitions are thwarted, and her marriage in tatters, Patrizia becomes panic-stricken and desperate. Maurizio files for divorce. She forges a dangerous alliance with a crafty psychic, Pina Auriemma, played by Salma Hayek.
Maurizio launches an ambitious plan to revive the Gucci name and reputation by hiring an up-and-coming American designer, Tom Ford, played by Reeve Carney. A deadly power struggle ensues, and Maurizio is besieged on two sides. The tenacious Patrizia and the company’s investors who abetted by his once trusted advisor, De Sole, attempt to wrest control of the fashion empire from the Gucci family’s hands.
Directed by the Erwin brothers, American Underdog follows Kurt Warner, played by Zachary Levi. He went from being a stock boy at a grocery store to being a two-time NFL MVP, Super Bowl champion, and Hall of Fame quarterback.
Zachary Levi as Kurt Warner in American Underdog. Photo Credit: Michael Kubeisy/Lionsgate
Warner’s story is about years of challenges and setbacks that could have derailed his aspirations to become an NFL player. Just when his dreams seemed all but out of reach, it is only with the support of his wife, Brenda, played by Anna Paquin, and the encouragement of his family, coaches, and teammates that Warner perseveres and finds the strength to show the world the champion that he already is.
Zachary Levi as Kurt Warner and Anna Paquin as Brenda Warner in American Underdog. Photo Credit: Michael Kubeisy/Lionsgate
It’s billed as an uplifting story showing that anything is possible with faith, family and determination.
Zachary Levi as Kurt Warner and Dennis Quaid as Dick Vermeil in American Underdog. Photo Credit: Michael Kubeisy/Lionsgate
The cast also includes Dennis Quaid, who plays Dick Vermeil.
Zachary Levi as Kurt Warner in American Underdog: The Kurt Warner Story. Photo Credit: Michael Kubeisy/Lionsgate
Zachary Levi as Kurt Warner in American Underdog: The Kurt Warner Story. Photo Credit: Michael Kubeisy/Lionsgate
“Spencer is a dive inside an emotional imagining of who Diana was at a pivotal turning point in her life.” — Kristen Stewart
Written by Steven Knight and directed by Pablo Larrain, Spencer follows Princess Diana, played by Kristen Stewart, on that fateful weekend at the royal family’s traditional Christmas celebration at Sandringham Estate. There’s eating and drinking, shooting and hunting. Diana knows the game. This year, things will be a lot different.
The marriage of Princess Diana and Prince Charles, played by Jack Farthing, has long since grown cold. Though rumors of affairs and a divorce abound, peace is ordained for the Christmas festivities at the Queen’s Sandringham Estate.
Kristen Stewart as Princess Diana in SPENCER. Photo by Pablo Larrain
“We all grew up understanding what a fairytale is, but Diana Spencer changed the paradigm and the idealized icons that pop culture creates forever. This is the story of a Princess who decided not to become a Queen but chose to build her identity by herself. It’s an upside-down fairytale,” explains Larrain. “I’ve always been very surprised by her decision and thought it must have been very hard. That is the heart of the movie. I wanted to explore Diana’s process as she oscillates between doubt and determination, finally making a bid for freedom, not just for herself but for her children too. It was a decision that would define her legacy: one of honesty and humanity that remains unparalleled.”
Kristen Stewart as Princess Diana in SPENCER. Courtesy of NEON
Larrain needed a strong cast because it’s a character-driven story. He feels Stewart can be many things. She can be very mysterious, fragile, and ultimately decisive. “The way she responded to the script and how she approached the character is very beautiful to see. As a filmmaker, when you have someone who can hold such a dramatic and narrative weight just with her eyes, then you have the strong lead who can deliver. She is a force of nature.”
The rest of the talented cast includes Sally Hawkins, Timothy Spall and Sean Harris.
Directed by Ridley Scott, The Last Duel follows a true story about France’s last sanctioned trial by combat. The story originates from Eric Jager’s book of the same title.
In 1386, Jean de Carrouges, a knight, played by Matt Damon, and Jacques Le Gris, a squire, played by Adam Driver came to blows to the death after Marguerite, the knight’s wife, played by Jodie Comer, accuses Le Gris of raping her, which he denies.
Watch the trailer, and you’ll see Affleck playing Count Pierre d’Alencon, donning blond hair.
If Marguerite’s husband dies, she ends up burning at stake for perjury. The winner of the duel ends up as divine providence.
According to the New York Times article, the movie forms into three chapters based on a video interview with the three writers of the movie version, Damon, Affleck and Nicole Holofcener: Carrouges story, Le Gris story and Marguerite story. The men, according to Damon, took fastidious notes while women did not because they had no public respect nor held any kind of power. Holofcener wrote Marguerite’s perspective, made of whole cloth, the book lacked the wife’s perspective.
Written and directed by Justin Chon, who also stars in Blue Bayou, it is a moving and timely story of a uniquely American family fighting for their future. New Orleans tattoo artist Antonio LeBlanc, played by Justin Chon, is a devoted family man looking to build a better life for pregnant wife Kathy, played by Alicia Vikander, and precocious step-daughter Jessie, played by Sydney Kowalske.
(L to R) Actor Alicia Vikander, actor Sydney Kowalske and actor/writer/director Justin Chon on the set of BLUE BAYOU, a Focus Features release. Credit: Focus Features
But for an ex-con with a checkered past, opportunity can be hard to come by, meaning money is always tight, especially with a new baby on the way. Complicating matters is Kathy’s ex Ace, played by Mark O’Brien, a Louisiana cop. He wants to play a more prominent role in Jessie’s life — despite having abandoned the girl and her mother years earlier.
When a family spat unexpectedly leads to a grocery store confrontation with Ace and his racist partner, Denny, played by Emory Cohen, Antonio is arrested and transferred into the custody of Immigration and Customs Enforcement. Despite being in America since the age of three, the Korean-American adoptee — married to an American citizen — faces deportation from the only country he’s ever known as home. Trapped in a waking nightmare, Antonio and Kathy seek legal assistance to help fight the deportation order, only to discover that they have precious little hope of keeping their family together.
With Antonio facing an uncertain future, he finds an unlikely ally and source of support in a Vietnamese-American woman named Parker, played by Linh-Dan Pham, who also is at a place where she is struggling to come to terms with a difficult truth. Determined to remain near his loved ones, an increasingly desperate Antonio forces himself to confront his past, going to ever more extraordinary lengths to stay on American soil. But the painful secrets that come to light threaten to upend his relationships with Kathy and Jessie — even as Denny resolves to seal Antonio’s fate.
As Blue Bayou took shape, the character at the heart of the emotional tale became ever more apparent to Chon, as did the importance of the film’s Louisiana setting. “One thing that was very important to me as an Asian-American is how we’re portrayed in the media,” Chon says. “A big thing for me was the name, Antonio — seeing an Asian-American with that name was very peculiar. I placed it in the South because I’ve never seen Asians with Southern accents treated as just very naturally a fact of life.”
“I placed it in New Orleans specifically because there’s a huge enclave of Vietnamese people there, and one of my goals with this film was to have two adjacent Asian ethnicities in one film. This Korean adoptee Antonio learns what his culture could be like through this friendship with a Vietnamese woman. It’s his introduction into Asian culture. They’re countries that share a lot of similar war trauma.”
Although Chon had written, directed and starred in his previous films, he initially planned to cast an actor to play the pivotal role of Antonio. When it came time to cast the part, he found that the character was simply too close to his heart to be portrayed by anyone else. “The story was so important to me that I really wanted to be present to focus on the story and the filmmaking,” he says. “But I just got to a point where I’d lived with the story for so long and these people were so real to me that I started to get very nervous. I felt like if anyone was going to mess it up, I’d be the one to mess it up. I didn’t want to be in a position where if somebody didn’t quite give it the energy that I thought was necessary that I would be bummed out, you know?”
Written and directed by Kenneth Branagh, he says, “Belfast is the most personal film I have ever made. About a place and a people I love.”
(L to R) Caitriona Balfe as “Ma”, Jamie Dornan as “Pa”, Judi Dench as “Granny”, Jude Hill as “Buddy”, and Lewis McAskie as “Will” in director Kenneth Branagh’s BELFAST, a Focus Features release. Credit: Rob Youngson / Focus Features
Branagh uses a humorous, tender and intense story from the heart of one boy’s childhood during the tumult of the late 1960s in his city’s birth. The movie is straight from his experience as a nine-year-old boy who charts a path towards adulthood through the world that has suddenly turned upside. The stable and loving community and everything he thought he understood about life changes forever, but joy, laughter, music and the formative magic of the movies remain.
Jude Hill (left) stars as “Buddy” and Jamie Dornan (right) stars as “Pa” in director Kenneth Branagh’s BELFAST, a Focus Features release. Credit: Rob Youngson / Focus Features
Behind the camera, Branagh brings his regular collaborators as we arrive in the summer of 1969. We follow nine-year-old Buddy, played by Jude Hill. Buddy knows who he is and where he belongs. Part of the working class of North Belfast, he’s happy, loved and safe. His world is a fast and funny street life lived mainly in the heart of a community that laughs together and sticks together.
(L to R) Judi Dench as “Granny”, Jude Hill as “Buddy” and Ciarán Hinds as “Pop” in director Kenneth Branagh’s BELFAST, a Focus Features release. Credit: Rob Youngson / Focus Features
The extended family lives on the same street, and it’s impossible to get lost because everyone in Belfast knows everyone else, or so it seems, foreboding arrives. Every spare minute, in the darkness of movie theatres and front of the television, American films and American TV transport and intoxicate Buddy’s inner life and his dreams.
Caitriona Balfe (left) stars as “Ma” and Jamie Dornan (right) stars as “Pa” in director Sir Kenneth Branagh’s BELFAST, a Focus Features release. Credit: Rob Youngson / Focus Features
Yet, August turns Buddy’s childhood dreams into a nightmare. Festering social discontent suddenly explodes in Buddy’s street and escalates fast. First, it’s a masked attack, then evolves into a riot and eventually a city-wide conflict, with religion fanning the flames further asunder. Catholics vs. Protestants, loving neighbors just a heartbeat ago, set on to be deadly foes now.
Buddy must make sense of the chaos and hysteria that prevails. The new physical lockdown of what used to be an endless landscape. People as heroes and villains, once only glimpsed on the cinema screen but now threatening to upturn everything he knows and loves as an epic struggle plays out in his backyard.
Caitriona Balfe stars as “Ma” in director Kenneth Branagh’s BELFAST, a Focus Features release. Credit: Rob Youngson / Focus Features
His Ma, played by Caitriona Balfe, struggles to cope while his Pa, played by Jamie Dornan, works away in England, trying to make enough money to support the family. Vigilante law rules, innocent lives are threatened. Buddy knows what to expect from his heroes on the silver screen, but in real life? Can his father be the hero he needs? Can his mother sacrifice her past to protect her family’s future? How can his beloved grandparents, played by Judi Dench and Ciaran Hinds, be safe? And how can he love the girl of his dreams?
(L to R) Jamie Dornan as “Pa”, Ciarán Hinds as “Pop”, Jude Hill as “Buddy”, and Judi Dench as “Granny” in director Kenneth Branagh’s BELFAST, a Focus Features release. Credit: Rob Youngson / Focus Features
The answers roll out in this interesting story of a funny, poignant and heartbreaking journey through riots, violence, the joy and despair of family relationships and the agony of first love, all accompanied by dancing, music and laughter that only the Irish can muster when the world turns upside down.
Jamie Dornan (left) stars as “Pa” and Caitriona Balfe (right) stars as “Ma” in director Kenneth Branagh’s BELFAST, a Focus Features release. Credit: Rob Youngson / Focus Features
“Belfast is a city of stories,” says Branagh, “and in the late 1960s, it went through an incredibly tumultuous period of its history, very dramatic, sometimes violent, that my family and I were caught up in. It’s taken me fifty years to find the right way to write about it, to find the tone I wanted. It can take a very long time to understand just how simple things can be, and finding that perspective years on provides a great focus. The story of my childhood, which inspired the film, has become a story of the point in everyone’s life when the child crosses over into adulthood, where innocence is lost. That point of crossover in Belfast in 1969 was accelerated by the tumult happening around us all. At the beginning of the film, we experience a world in transition from a kind of idyll – neighborliness, sunshine and community – which is turned upside down by the arrival of a mob who pass through like a swarm of bees and lay waste to this peace. When they’ve gone, the street is literally ripped up by worried people who now feel they have to barricade themselves against another attack, and that is exactly how I remember it. I remember life turning on its head in one afternoon, almost in slow-motion, not understanding the sound I was hearing, and then turning around and looking at the mob at the bottom of the street, and life was never, ever, ever the same again. I felt that there was something dramatic and universal in that event because people might recognize a crossover point in their own lives, albeit not always as heightened by external events.”
Director Kenneth Branagh (left) and actor Jude Hill (right) on the set of BELFAST, a Focus Features release. Credit: Rob Youngson / Focus Features
Through the eyes of Buddy, the story unfolds, similar to Hope and Glory and Empire of the Sun. Branagh says, “We found a boy (Hill) whose talent was ready to blossom but who was still enjoying himself as an ordinary kid. Playing football was as important to him as making the film, and that’s what we wanted. At the same time, he was always very serious about the work, very prepared and very open.”
“Caitriona Balfe, who plays Ma, is from Ireland but grew up near the border and has an understanding of the vernacular and of the Irish extended family life,” he says. “Jamie Dornan, who plays Pa, is a real Belfast boy from just outside Belfast. Ciarán Hinds, who plays Buddy’s grandfather, Pop, was brought up about a mile from where I lived in Belfast.
Judi Dench has Irish blood – her mother was from Dublin – and is anyway an acting thoroughbred whose research is meticulous and who can do anything. And this group of actors also had a sense of front-footed energy that I liked, an outgoing quality that meant they became a real family very quickly.”
The film set in Belfast also provided excellent Northern Irish actors like Colin Morgan, Turlough Convery and Conor McNeill.
Directed by the master of planetary disaster, Roland Emmerich brings us Moonfall. The perfect escapism we need today. A mysterious force knocks the Earth’s Moon from its orbit around and sends it hurtling on a collision course with us as we know it.
The main characters in the movie tell us that the world is on the brink of destruction, with mere weeks of impact.
Patrick Wilson portrays astronaut “Brian Harper” surrounded by a mysterious force in the sci-fi epic MOONFALL.
Halle Berry portrays former astronaut and NASA Deputy Director “Jacinda Fowler” conducting an emergency shuttle launch to save the world in the sci-fi epic MOONFALL.
Along comes NASA executive and former astronaut Jo Fowler, played by Halle Berry. She’s convinced that she has the key to saving us all. Still, only one astronaut from her past, Brian Harper, played by Patrick Wilson, and a conspiracy theorist, K.C. Houseman, played by John Bradley, believe her.
John Bradley portrays Moon conspiracy theorist “K.C. Houseman” peering out the window of the Endeavour Space Shuttle in the sci-fi epic MOONFALL.
The cast impressed me, including Michael Peña, Charlie Plummer, Kelly Yu, Eme Ikwuakor, Carolina Bartczak and Donald Sutherland.
These unlikely heroes will mount an impossible last-ditch mission into space, leaving behind everyone they love, only to discover that our Moon is not what we think it is.
Directed by Sean Penn, Flag Day follows Jennifer Vogel, played by Dylan Penn, who comes to terms with her larger-than-life father. As a child, Jennifer marveled at his magnetizing energy and ability to make life feel like a grand adventure.
Yes. Dylan is Sean’s real-life daughter, which makes the production intriguing. She is a celebrity model whose international talent is huge.
Jennifer’s father taught her much about love and joy, but he also was the most notorious counterfeiter in US history. Based on a true story, Flag Day is an intimate family portrait of a young woman who struggles to rise above the wreckage of her past. At the same time, she reconciles the inescapable bond between a daughter and her father.
At the heart of the movie is a love story between a father and daughter. Sean Penn describes it, “a complicated one.” It is a story of one woman’s pursuit to find truth in her life after growing up in the shadow of her father’s criminality. We see the bonds of family ebb and flow with each truthful revelation and each destructive lie. This father-daughter story serves as a metaphor for a country that often cannot live up to its highest ideals.
A country that doesn’t follow through on its promises. Stoic imagery of flags waving and fireworks give way to darkened windows, disguises and eventually handcuffs and jail cells. Ultimately, it is a story of perseverance, of truth, and learning who you are in the shadow of someone else. It is a story of uncovering memories and examining those memories from a raw and vulnerable place.
The movie includes an impressive cast Josh Brolin, Norbert Leo Butz, Dale Dickey, Eddie Marsan, Bailey Noble, Hopper Jack Penn and Katheryn Winnick.
