Directed by Baz Luhrmann, Elvis follows Colon Tom Parker, played by Tom Hanks. At the beginning of the trailer, Parker says, “There are some who make me out to be a villain.”
With the story by Luhrmman and Jeremy Doner, the screenplay is co-written by Luhrmann, Soner, Craig Pearce and Sam Bromell.
The story follows the life and career of the rock-n-roll legend Elvis Presley, played by Austin Butler. Australian, Olivia DeJonge plays Priscilla Presley.
Based on the bestselling novel by faith-based novelist Francine Rivers and directed by D. J. Caruso, Redeeming Love is a powerful story of relentless love and perseverance as a young couple’s relationship clashes with the harsh realities of the California Gold Rush of 1850. The story is the retelling of Hosea and Gomer from the biblical account in the Old Testament.
Angel, played by Abigail Cowen, expects only pain from those around her. Sold into prostitution as a child, Angel survives with hatred towards herself and the men who use her. She meets Michael Hosea, played by Tom Lewis, a farmer who believes God wants Angel to be his wife. Dire circumstances force Angel to accept his proposal, but her wounded heart mends when Michael defies her bitter expectations.
As Angel encounters a love unlike anything she has ever experienced, feelings of unworthiness and shame cause her to run from a life she doesn’t think she deserves. As Michael sets out to find her, Angel discovers no brokenness that love can’t heal.
Cowan’s screen credits include I Still Believe, another faith-based movie.
Also starring is Eric Dane and Famke Janssen.
Directed by Robert Eggers, who wrote the screenplay with Sjon, The Northman follows a Viking prince, Amleth, played by Alexander Skarsgard. Amleth’s mission is to revenge his father’s murder, which becomes his journey from a child to an adult.
The movie takes place in Iceland during the turn of the tenth century.
Young Prince Amleth, played by Oscar Novak, is on the cusp of becoming a man when his father, played by Ethan Hawke, is brutally murdered by his uncle, Claes Bang, who kidnaps the boy’s mother, played by Nicole Kidman. Fleeing his island kingdom by boat, the child vows revenge.
Two decades later, Amleth, played by Alexander Skarsgard, is a Viking berserker raiding Slavic villages, where a seeress, played by Bjork, reminds him of his vow to avenge his father, save his mother, and kill his uncle.
Traveling on a slave ship to Iceland, Amleth infiltrates his uncle’s farm with the help of Olga, played by Anya Taylor-Joy, an enslaved Slavic woman — and sets out to honor his vow.
Eggers also directed The Witch, Anya Taylor-Joy’s first movie, The Lighthouse, comes an immersive Viking epic featuring an ensemble cast including Willem Dafoe.
“This is a big, muscular adventure, grander in scale than his previous films,” says Willem Dafoe, who co-starred in The Lighthouse and played the court jester Heimir the Fool in The Northman. “But Robert approaches it with the same kind of detail, creating sets, props and even shots that are made with such precision and care that the pretending on the part of the audience becomes effortless. Inside each shot of this movie, there is a rhythm and a story and a dynamic that’s beautiful on its own. Everything’s there on (the) screen; you don’t simply enter Eggers’ worlds — you get folded into them.”
Directed by Nora Fingscheidt, The Unforgivable follows Ruth Slater, played by Sandra Bullock, who just got out of prison for killing someone.
She re-enters society and tries to connect with your younger sister. Her only chance of redemption is the connection with her sister, who she was forced to leave behind.
Her sister’s adoptive mother, Viola Davis, wants nothing to do with Ruth. But, her husband, played by Vincent D’Onofrio, seems to feel she has redeeming qualities and goes against his wife’s wishes.
It’s based on the story of the Yorkshire award-winning drama Unforgiven, a mini-series about a young woman released from prison for murdering two police officers. Now, she wants to find her younger sister.
The Netflix movie also stars Jon Bernthal, Richard Thomas, Aisling Franciosi, and W. Earl Brown.
Directed by Ric Roman Waugh, National Champions begins three days before the college football national championship game.
The star quarterback LeMarcus James, played by Stephan James, and teammate Emmett Sunday, played by Alexander Ludwig, ignites a player’s strike declaring they won’t compete until all student-athletes are fairly compensated.
With billions of dollars on the line, the stakes could not be higher as their head coach, played by J. K. Simmons.
Various stakeholders, played by Lil Rel Howery, Tim Blake Nelson, Andrew Bachelor, Jeffrey Donovan, David Koechner, Kristin Chenoweth, Timothy Olyphant and Uzo Aduba, race to protect or destroy the prevailing collegiate athletics system.
Directed by Simon Curtis, Downton Abbey – A New Era arrives in March 2022. With the screenplay written by Julian Fellowes, its creator, the movie will be just as good, if not better, than its predecessor.
It seems the original cast is all together again and this time they are going to the South of France. It also looks like Tom is getting married.
The new cast members include Dominic West, Hugh Dancy, Nathalie Baye and Laura Jane Haddock.
Curtis also directed My Week with Marilyn, which earned seven BAFTA nominations.
This is the extraordinary true story of eccentric British artist Louis Wain, played by Benedict Cumberbatch. Wain’s playful, sometimes even psychedelic, pictures helped to transform the public’s perception of cats forever.
Moving from the late 1800s through the 1930s, we follow the incredible adventures of this inspiring, unsung hero as he seeks to unlock the “electrical” mysteries of the world and better understand his own life and the profound love he shared with his wife, Emily Richardson, played by Claire Foy.
Co-written and directed by Will Sharpe, The Electrical Life of Louis Wain follows the extraordinary life of Wain, who painted incredible images of cats. These paintings inspired the public to view cats as domestic pets instead of feral animals that eliminate rodents.
Sharpe describes the challenge of capturing Wain’s inner world as most exciting. “I immediately felt a connection to his pictures, which are full of humor and delightful little details about daily life, but also, sometimes, seemed to have an undercurrent of restlessness and worry, or even sadness.”
“I wanted to take the spirit of those pictures — the wild colors and patterns, the funny tableaux, even the psychedelia — and to fold it into the world of our movie. The more I read about his life, the more I was struck by his courage in facing multiple challenges and how heroically he seemed to face them. It felt like an epic Odyssean life, and I knew there was a story here that could be really uplifting, transporting, and, hopefully, relatable for many people.”
Sharpe’s primary roadmap through the artist’s life came with the love story between Wain and Emily when developing the script.
“I thought the way that the love story was structured, in a slightly unusual and on the surface of it in an unfortunate way, left space for a lot of beauty to be mined,” Sharpe says.
Louis met Emily when she was the governess to his sisters. They had quite a controversial relationship and subsequent marriage. “They had to fly in the face of convention, and there would have been a lot of pressure on them not to be together,” says Sharpe
With the death of his wife so early in his life, Louis Wain’s story also deals with grief, another facet of the love he holds for Emily, which acts as a catalyst for realizations he makes during his later years in life.
“Grief is a theme in this movie, and all of it is tied together under the umbrella of love,” explains Sharpe. “What Louis realizes is that the reason he felt pain is because he loved Emily and that his love for her and Peter (the cat) has inadvertently helped him to appreciate the love that was around him—his friends and family and the people who enjoyed his work.”
Sharpe wanted to present Emily as the person who helped Wain learn what love is — so that he had something to reconnect with at the end of the story.
Cumberbatch feels that Wain’s is a moving story, who leaped at the chance to take the leading role. “I was drawn to him because of his artistry. I also found him incredibly persuasive in a very gentle way. And the fact that he was so talented and lived through so much tragedy, I found that whole journey just extraordinary.”
The rest of the cast includes Andrea Riseborough, Toby Jones, Sharon Rooney, Aimee Lou Wood, Hayley Squires, Phoebe Nicholls, Adeel Akhtar, Asim Chaudhry, Richard Ayoade, Julian Barratt, Sophia di Martino, Taika Waititi, Nick Cave and Olivia Colman.
Sorkin has taken one of America’s funniest and most beloved TV couples, Lucy and Ricky Ricardo, and turned it into a poignant story for a film. The Ricardos first appeared in the iconic sitcom I Love Lucy, which premiered in 1951.
In front of our TV sets, we saw a quintessential dizzy redhead and the charismatic Cuban bandleader, delighting record-breaking audiences each week. They’d see Lucy’s hare-brained schemes and hilarious antics.
Behind the scenes was a different story. Lucille Ball and Desi Arnaz faced problems that could have ended the successful show and their marriage. Kidman talks about Lucille Ball’s career and portrays her, “As an actress, she never really got a break when she was younger. Movies were not her métier. But that is part of what made her resilient. She, with Desi’s support and protection, reinvented herself as a comedy star. But it was all so tenuous and could be taken away by a couple of cheap headlines. That is still very relevant today.”
Written and directed by Aaron Sorkin, Being the Ricardos follows Lucille Ball, played by Nicole Kidman, and Desi Arnaz, played by Javier Bardem, as they face a crisis. They face the devastating fact that they most likely will end their careers and marriage. Lucy and Desi must deal with the impending threats of shocking personal accusations, political smears, and cultural taboos.
The film clip is like the trailer, but we see more of Kidman as Lucy and Bardem as Dezi.
We go behind the scenes of one of the most popular TV shows of our time, revealing a glimpse of the couple’s complex romantic and professional relationship. During one critical production week of their groundbreaking sitcom, “I Love Lucy,” we go into the writer’s room, onto the soundstage and behind closed doors with Lucy and Desi.
Having two Oscar winners play the lead roles of two influential personalities in the entertainment industry must be a dream come true for Sorkin.
The cast includes Jake Lacy, J. K. Simmons, Nina Arianda, Tony Hale and Alia Shawkat.
Sorkin says, “Javier made it clear he wanted the part. And he is simply irresistible. I didn’t need to be told he’s a great actor. We were finishing casting during the COVID lockdown and he was so winning, even during Zoom meetings. That quality was essential for Desi because we asked the audience to accept such bad behavior from him. Until the day he died, he was intensely in love with Lucille Ball, but he came from a culture that defines manhood very narrowly. It was hard for Desi to be a second banana, and that ultimately killed their marriage.”
Bardem calls Sorkin’s script “a love letter to two resilient, creative human beings dealing with serious problems and trying to remain united through them,” adding, “It is a journey of pleasure and joy and laughter — a lot of laughter. There are great comic moments in it. But there are also dramatic, emotional moments that show that these people who were so loved and admired were just a couple of human beings with flaws — as we all are.”
The actor says it was typical for the cast to perform five or more pages of the writer’s notoriously precise dialogue daily. “There are always two or three or four things happening at the same time,” he says. “As a director, Aaron likes to work fast. He knows what he wants, which is a great thing, but he leaves you the room to play with it. And he gives you a lot of layers to work with.”
Despite the many personal and professional successes the couple achieves, Desi’s philandering threatens to destroy the couple’s marriage at the peak of their fame. “He wanted to help Lucille, protect her, hold her — not only because she was the star of the show but because she was his wife, the mother of his kids and an amazing, creative mind,” says Bardem. “But there were many things that he could have done better.”
It was Arnaz’s ambition and versatility that the actor says provided him with the most inspiration. “When we play real people, we want to get as close as we can to reality, but there’s a moment where you have to let that go,” he believes. “You have to express what the person is going through, not how he looks or speaks. Desi had a motor inside of him that constantly pushed forward, pushed not only himself but the show and the whole Desilu company.”
For the role of Arnaz, one of the rare Latinx talents to achieve stardom in television’s early days, the filmmakers cast Academy Award winner Javier Bardem. The actor had pursued the role for years before the film was green-lit.
Bardem describes his co-star, Kidman, as “generous, caring, organic, fun to work with, fun to watch, inspiring — and she makes it all look easy. She gives you everything, so you don’t have to hold anything back.”
Written and directed by John Ridley and based on the short story by Robert Silverberg, Needle in a Timestack follows Nick, played by Leslie Odom, Jr. and Janine’, played by Cynthia Erivo, blissful life until her ex-boyfriend, played by Orlando Bloom, does a high-tech warp time to tear them apart. He uses Nick’s old girlfriend, played by Frieda Pinto, to complete the task.
Nick’s memories and reality disappear. He must decide how far he will go to save or let go of all that he loves. Does love endure, or is it all an illusion?
Mark Isham scored the movie soundtrack, and he always delivers.
Directed by George Clooney, The Tender Bar begins in 1972 and follows 9-year-old J.R. Maguire, played by Daniel Ranieri, later Tye Sheridan. He spends hours scanning the airwaves for The Voice, his name for the radio deejay father who deserted him and his mom years earlier.
As he dreams of the day they reunite, he and his fiercely protective mother Dorothy, played by Lily Rabe, live with her family in his curmudgeonly grandfather’s, played by Christopher Lloyd, rundown house in Manhasset, Long Island. They both work tirelessly to fulfill her dream of an Ivy League education for J.R.
Hungry for male attention, the boy finds comfort at the nearby Dickens pub, where the man behind the bar is his Uncle Charlie, played by Ben Affleck. A self-educated truth-seeker with a closet full of classic books and a thirst for knowledge, Charlie takes the boy under his wing, encouraging J.R.’s aspirations of becoming a writer. As J.R. grows to young adulthood with sporadic contact with his birth father, Charlie guides him through the mysteries of manhood and includes him in bowling nights, ball games and trips to the beach with his loyal band of quirky friends.
But when winning a scholarship to Yale, falling in love with a brilliant and beautiful classmate and getting his dream job still don’t seem like enough to J.R., he retreats once more to the bar, only to discover he already has everything he needs to claim his own dreams.
Adapted by William Monahan from J. R. Moehringer’s memoir of the same title published in 2005, “It’s the story of a not-privileged kid deciding to do the fundamentally impossible,” says Monahan. “But beneath the ordinary world, it is kind of an epic. It’s the very rare first book by a writer who doesn’t throw family and friends under the bus after chewing them up for material. It says of the family, I am them, and they are me.
“J.R. had a very supportive, very loving family,” he adds. “They got him into Yale, they helped him, they compensated for his lack of a present, decent father. And in the end, despite his searching, he realizes that he always had a father — his Uncle Charlie, and even his grandfather. There’s something heroic in his story.”
Clooney felt a kinship to the material. “Growing up in Kentucky, which is nothing like Manhasset, I had an Uncle George who I was named after,” he says. “George lived above a really beat-up old bar. When I was 9 or 10 years old, which is the exact time period in which the early part of the movie is set, he’d give me 50 cents to go get him cigarettes from the machine and a can of beer. So, I grew up in and around a bar like the bar in the film, with all the wild characters that called me ‘kid.”
Though Clooney has directed himself in some films. In The Tender Bar, he remains strictly behind the camera. “That simplifies the job for sure,” he says. “This was an easy one to direct anyway because it was a really good script, we had really wonderful actors and we had a great crew. I just loved all these characters. It’s The Wizard of Oz in a way. J.R. is constantly looking for happiness and his place in the world, and it’s right there all along. I think that’s a voyage we all enjoy watching.”
“Once we told Amazon we wanted to do The Tender Bar, the question was who was going to play Uncle Charlie,” says Clooney. “The character had to have two specific qualities. You have to believe he’s really smart and really well read. That is a no-brainer with Ben Affleck.
He’s a really smart actor and a smart man. And then he has to be a little worn down. He needs a bit of gravitas. Ben is a different actor now than he was 15 years ago. With age comes a little bit of gray in the hair and a little bit of crinkle in his eye. Ben couldn’t have played this part five or 10 years ago. Now he is exactly right for it. As soon as we read the script, we thought of him.”
“The luckiest thing that can happen to you as an actor is to have a great script with a great director fall out of the sky,” he says. “That’s what happened to me. The character’s intelligence and use of language, as well as his evident compassion for his nephew and the non-traditional ways he shows it made it extremely appealing.”
The seamless transition from boy to teenager to a young man in the film impressed Tye Sheridan, who plays the older J.R.,“That can be credited to a well-written script and a flawlessly constructed narrative,” says Sheridan. “I could not trust anyone more than George to guide that ship so that the audience believes this journey into the older version of the character.”
Sheridan says reading the book before filming was initially helpful, but he set it aside once production started. “It’s great to be aware of the source material,” he notes. “But you can get confused by what’s in the screenplay and what’s in the book, so eventually I just focused on the screenplay.”
At the beginning of the film, J.R. already carries the weight of his mother’s high hopes for him. “He feels a great responsibility to accomplish certain things — specifically to go to Yale and become a lawyer — but all he really wants to do is be a writer,” says Sheridan. “He has a lot to overcome in his life. That was something very relatable and really exciting for me to play.”
Despite the presence of his Uncle Charlie, his grandparents and extended family in his life, his mother is the only person J.R. feels he can totally depend on. “She’s his only parent,” Sheridan observes. “She’s it. Their relationship is tender and sweet. Sometimes he gives her a bit of an eye roll, but he loves her for all she is and has given to him. Lily Rabe, who plays J.R.’s mother, is a phenomenal actress who brings a depth that I don’t think many people could bring.”
Eight-year-old Brooklynite Daniel Ranieri, who plays the younger J.R., was discovered via a YouTube video that has come to be known as the “f—ing lockdown video.” In 2020, Daniel’s mother talked to him about the upcoming summer and all the outdoor activities. Daniel launched into a colorful rant about the need to comply with COVID-19 restrictions by staying indoors. The video she took of his comments went viral, earning him an appearance on “Jimmy Kimmel Live!” A star was born.
“A friend sent the video to me as a joke, while we were trying to cast the young J.R.,” says Clooney. “We’d seen a lot of kid actors, but the reality is when you cast kids, it’s less about the quality of the acting and more about how close they seem to be to the character. Daniel has a great East Coast accent. He was very funny and has really good energy in the video. I got in touch with his family, sent over some pages, and he read them on Zoom. He was just right for the part. Every take we did with him was one take. He is just phenomenal.”