Steven Spielberg directed this coming-of-age drama from a screenplay he co-wrote with Tony Kushner. The semi-autobiographical story follows Sammy Fabelmen, played by Gabriel LaBelle. Sammy is a yearning filmmaker based on Spielberg himself.
Michelle Williams plays the mother, and Paul Dano plays the father.
Acclaimed filmmaker James Gray directed Armageddon Time, a deeply personal story of the strength of family.
Like most of Gray’s films, the movie is about the complexity of friendship and the generational pursuit of the American Dream.
The film presents a strong cast, including Anthony Hopkins, Anne Hathaway and Jeremy Strong.
Set in an English seaside town in the early 1980s and directed by Sam Mendes, Empire of Light is a tale about human connection.
Watch the trailer. Hopefully, you’ll notice how powerful and poignant the story is about the magic of cinema — the illusion of life.
The movie stars Olivia Coleman, Colin Firth, Michael Ward and Toby Jones.
Based on the short story “The Djinn in the Nightingale’s Eye” by A. S. Byatt and co-written and directed by George Miller for the screen, Dr. Alithea Binnie, played by Tilda Swinton, is an academic. She’s content with life and a creature of reason.
While in Istanbul attending a conference, she encounters a Djinn, played by Idris Elba, who offers her three wishes for his freedom. This presents two problems. First, she doubts he is real; second, because she is a scholar of story and mythology, she knows all the cautionary tales of wishes have gone wrong.
The Djinn pleads his case by telling her fantastical stories of his past. Eventually, she submits and makes a wish that surprises them both.
Co-written and directed by Maya Forbes and Wally Wolodarsky, The Good House follows Hildy Good, played by Sigourney Weaver. Hildy is a wry New England realtor and descendant of the Salem witches.
Thomas Bezucha also co-wrote the script with the directors. Bezucha’s credits include writing and directing Let Him Go and six episodes of the Secret Invasion mini-series.
She loves her wine and secrets, yet her compartmentalized life unravels as she rekindles a romance with her old high-school flame, Frank Getchell, played by Kevin Kline. She becomes dangerously entwined in one person’s reckless behavior.
The situations ignite long-buried emotions and family secrets, propelling Hildy toward a reckoning with the one person she’s been avoiding for decades — herself.
The Good House additionally stars Morena Baccarin and Rob Delaney.
Written by Will Tracy and Seth Riess and directed by Mark Mylod, The Menu follows a couple, played by Anya Taylor-Joy and Nicholas Hoult. They travel to a coastal island to eat at an exclusive restaurant where the chef, played by Ralph Fiennes, has prepared a great menu with a few shocking surprises.
Mylod is a British film and television director and executive producer. Entourage, Game of Thrones and Succession are some of his best works on television.
Joining the couple are three young, already inebriated tech brothers, Bryce and Dave, an older wealthy couple and repeat clients, Anne and Richard, renowned restaurant critic Lillian Bloom and her slavish magazine editor Ted, and a famous middle-aged movie star with his assistant Felicity.
With the immaculately dressed front-of-house staff led by general Elsa, the evening unfolds with increasing tension at each of the guest tables as secrets are revealed and unexpected courses are served. With wild and violent events occurring, Slowik’s motivation begins to rattle the diners as it becomes increasingly apparent that his elaborate menu is designed to catalyze a shocking finale.
Written by Michael Reilly, Keith Beauchamp and Chinonye Chukwu, with Chukwu directing, TILL is a profoundly emotional and cinematic film about the true story of Mamie Till Mobley’s, played by Danielle Deadwyler, relentless pursuit of justice for her 14-year-old son, Emmett Till, played by Jalyn Hall.
In 1955, they brutally lynched Till while visiting his cousins in Mississippi.
In Mamie’s poignant grief journey that eventually turned to action, the film shows the universal power of a mother’s ability to change the world.
Also starring in the film are Frankie Faison, Haley Bennett, and Whoopi Goldberg.
Directed by Nick Hamm, Gigi & Nate is the story about Nate Gibson, played by Charlie Rowe. He’s a young man who suffered a near-fatal injury, turning his life upside down and becoming a quadriplegic.
Moving forward seems near impossible until he meets his unlikely service animal, Gigi – a curious and intelligent capuchin monkey.
Although she assists Nate with his basic needs, Gigi helps Nate find what he needs most in life — hope. The film also stars Oscar winner Marcia Gay Harden and Jim Belushi. It’s a tearjerker of a story based on actual events, so bring plenty of tissues to the movie theater.
Also starring are Josephine Langford, Zoe Colletti, Hannah Riley and Diane Ladd.
Directed by Emmy winner Maria Schrader, She Said is from the screenplay by Oscar winner Rebecca Lenkiewicz.
Based on the New York Times bestseller, She Said stars two-time Academy Award nominee Carey Mulligan (Promising Young Woman, An Education) and Zoe Kazan (The Plot Against America limited series, The Big Sick). Together they play New York Times reporters Megan Twohey and Jodi Kantor, who broke one of the most important stories in a generation.
The story helped propel the #Metoo movement, shattered decades of silence around the subject of sexual assault in Hollywood and altered American culture forever.
The Academy Award-winning producers of 12 Years a Slave, Moonlight, Minari, Selma and The Big Short bring the New York Times bestseller: She Said: Breaking the Sexual Harassment Story That Helped Ignite a Movement to the screen.
Adapting author Paul Gallico’s famous 1958 novel Mrs.’ Arris Goes to Paris for the screen, writer and director Anthony Fabian create a modern-day fairy tale. The message is about pursuing your dreams, friendship’s power, and the importance of remaining true to who you are.
In post-World War II London, Ada Harris, played by Lesley Manville, earns money cleaning houses. She’s led a lonely life since her beloved husband, Eddie, went missing in action, but she’s not the type to brood over any misfortune or complain about her circumstances.
Still, the ever-pragmatic Ada sees an unimaginably lovely Christian Dior gown hanging in the master bedroom of a wealthy client. She’s surprised to feel an overwhelming pang of desire—owning something so otherworldly, so beautiful, an actual work of art — why that could change things for a person.
Ada takes on extra jobs and saves as much as possible, trying her luck at the racetrack. Ada can finally afford to pay for a Dior dress when all seems lost. She bids farewell to close friends Vi, played by Ellen Thomas, and Archie, played by Jason Isaacs.
She goes to Paris to visit the prestigious House of Dior and turn her dreams into reality. Yet when she arrives, Ada is met with a series of surprising setbacks, not least of which is Dior’s intimidating Madame Colbert, played by Isabelle Huppert, who bristles at the notion of a common charlady wearing haute couture.
Ada refuses to leave Paris without her dress, whatever obstacles come her way. Her unwavering commitment charms idealistic Dior accountant André, played by Lucas Bravo, kindly model Natasha, played by Alba Baptista, and the aristocratic Marquis de Chassagne, played by Lambert Wilson, Paris’ most eligible bachelor.
Ada soon discovers that, in changing her own life, she changes the lives of all those around her. She might even help save the House of Dior itself.
Fabian’s feature film work up until that point was mainly family dramas based on true stories, yet he felt a particular affinity for the material. Having lived in Paris as a boy and attending boarding school in England, he could appreciate both cultures at the heart of the story. “I understood these two worlds extremely well, London and Paris,” Fabian says. “I felt it was a story that I could tell in an authentic and accurate way.”
Initially brought on as a director for hire, Fabian eventually gained the rights to adapt and produce himself. He began working on an entirely new screenplay while searching for other partners to collaborate with. He turned to Carroll Cartwright, with whom he had previously worked on the feature Louder Than Words. Together, they wrote the first drafts, while prolific film and television writer Keith Thompson and A Girl with a Pearl Earring writer Olivia Hetreed gave the script a final polish.
Fabian wanted to clarify why getting a beautiful haute couture artifact became such an obsession for Mrs. Harris throughout the adaptation process. “The book gives you the bones of the story, but not the flesh,” he says. “It doesn’t really explain why Mrs. Harris wants this dress, other than in the most frivolous and superficial terms—it had to be more profound. Ultimately, I wanted to suggest that Ada Harris’ heart is healed by going on this journey. She is a widow who has put her heart on ice, and this dress is an inanimate object that she can love without betraying her husband. Somehow, the dress becomes a catalyst for opening her heart and allowing her to love again.”