Written and directed by Michael Winterbottom with Sean Gray adding material to the story, Greed is a satire on the very wealthy. Not much is being promoted about the movie, but it is a British comedy, and this is the seventh collaboration between Winterbottom and Steve Coogan.
The next two clips show what the movie will entail. The humor is dry, and the situations hilarious.
Co-directed by Danielle Krudy and Bridget Savage Cole and starring Morgan Saylor, Sophie Lowe with June Squibb and Margo Martindale, the movie, Blow the Man Down, begins at Easter Cove. It is a salty fishing village on the far reaches of Maine’s rocky coast.
Grieving the loss of their mother and facing an uncertain future, Mary Beth and Priscilla Connolly cover up a gruesome run-in with a dangerous man. They conceal their crime, and the sisters must go deeper into Easter Cove’s underbelly and uncover the town matriarchs’ darkest secrets.
Directed by Armando Iannucci, we follow the story based on Charles Dickens’ classic tale of grit and determination. Dev Patel plays the lead role in The Personal History of David Copperfield. The studio calls it re-imagines of Charles Dickens’ story, giving it a comedic lens of the Dickensian tale.
Still, a remake is a remake, even though they say “new life of the story for a cosmopolitan age with a diverse ensemble cast of stage and screen actors from across the world.”
Armando Iannucci also co-wrote the screenplay with Simon Blackwell. They seem to lend their wry, yet heart-filled storytelling style to revisiting Dickens’ iconic hero on his quirky journey from impoverished orphan to the burgeoning writer in Victorian England.
Other cast members include Hugh Laurie and Tilda Swinton.
Directed by the elusively funny Wes Anderson, The French Dispatch is a love letter to journalists set in an outpost of an American newspaper in a fictional 20th-century French city that brings to life a collection of stories published in “The French Dispatch” magazine.
The cast is an A-list of Hollywood superstars, including Saoirse Ronan, Timothée Chalamet, Elisabeth Moss, Billy Murray, Owen Wilson, Edward Norton, Willem Dafoe, Tilda Swinton, Liev Schreiber, Frances McDormand, Adrien Brody and Benicio Del Toro.
According to IMDB, The New Yorker reported a piece that outlines some characters, subjects, and situations described in this movie, along with the corresponding The New Yorker articles, themes, and writers that Wes Anderson references. These include:
Arthur Howitzer Jr., played by Bill Murray, inspired by the New Yorker’s founding editor Harold Ross.
Herbsaint Sazerac, played by Owen Wilson, inspired by the writer Joseph Mitchell
Julian Cadazio, played by Adrien Brody, inspired by Lord Duveen, the subject of a 1951 six-part New Yorker profile by S. N. Behrman
Roebuck Wright, played by Jeffrey Wright, inspired by James Baldwin and A. J. Liebling, who were both New Yorker contributors over the years.
Lucinda Krementz, played by Frances McDormand, inspired by Mavis Gallant, She wrote a two-part 1968 piece on the student uprisings in France. This character also shares a last name with Jill Krementz, a photographer whose work has often appeared in the New Yorker and is the widow of the novelist Kurt Vonnegut.
The New Yorker also reported in the same piece that the movie takes place in a fictional French town called “Ennui-sur-Blasé.” “Ennui” and “blasé” are both English words, albeit both terms originate from the French, which means roughly the same thing: world-weary boredom, apathy, and sophistication. It is relatively common for French place names to contain the word “sur” (“on”) between two other words as a geographic descriptor. for example, the French Riviera village name “Beaulieu-sur-Mer” translates as “beautiful place on the sea.” So if it were a real place name, “Ennui-sur-Blasé” would mean, more or less, “Boredom-on-Apathy.”
For Anderson, the filmmaking process is 100% organic from start to finish. That begins with the writing. “It’s a real adventure to work on these things,” says longtime collaborator Jason Schwartzman, who co-wrote the story with Anderson and Roman Coppola and plays the role of the magazine’s cartoonist. “The stories are sort of concocted in real-time. There’s not some big outline or something that you’re filling in. You’re literally creating each moment as you get to it. It’s sort of like building a bridge while you’re on the bridge, and that’s what’s really exciting. When you wake up in the morning, you really have no idea what could happen to the story, to the characters, and that is such an exciting place to be. It’s free form but focused, and Wes is the captain of the ship.”
So funny!
The official name of the New Yorker-inspired magazine is The French Dispatch of the Liberty, Kansas Evening Sun, a publication inspired by the history of The New Yorker and the origins of two of the people who made it what it is: Harold Ross, the magazine’s co-founder, and William Shawn, his successor, both inspirations for Bill Murray’s character and both born in the Midwest. “Kansas seems to me like the most American place in America,” says Anderson. “I mean, really, in the end, The French Dispatch isn’t publishing for the people of Kansas. They’re publishing for America.”
Creating the story’s striking still-life passages, Anderson actually asked the actors to freeze in place. “It’s a game I play with my daughter,” says del Toro, “it’s probably one of the earliest things that I remember playing as a kid, and suddenly… we’re doing it, every actor from Tilda Swinton to Henry Winkler, all these legends, all playing the game. And it’s contagious. It’s really nice to see actors going back to their childhood and playing, Simon Says. There’s something very freeing about it. And I felt like it added to the film in another way. Wes could have frozen the action digitally, but there’s something about the actors actually freezing that makes it… you can feel it, you can touch it, and the audience can feel the joy behind it.”
See if you can catch every single actor in this movie.
Written by Jesse Armstrong and directed by Nat Faxon and Jim Rash, Downhill stars Julia Louis-Dreyfus, Will Ferrell, Miranda Otto, Zach Woods, Zoë Chao, Julian Grey, Ammon Jacob Ford, and Kristofer Hivju.
The movie is an adaptation of the 2014 Golden Globe-nominated Swedish film Force Majeure. Barely escaping an avalanche during a ski vacation in the Alps throws the seemingly picture-perfect family into disarray as they forced to reevaluate life and how they genuinely feel about each other.
The movie is available on disc formats as well as streaming.
Said Julia Louis-Dreyfus from the set: “(I’m) thrilled to have completed my first day of filming with Jim and Nat and Will Ferrell and my friends at Likely Story here in Austria; it’s all downhill from here.”
“Obviously, Searchlight is like family at this point,“ said directors Nat Faxon and Jim Rash. “We’re honored to be working with them for the third time. But, to also have our paths cross with Julia, and a fellow Groundling alum in Will makes this all the more special and exciting for us.”
Julia Louis-Dreyfus is fantastic in the next movie clip, and Ferrell plays off her so nicely.
I am not quite sure what is happening here in this scene, but I guess it is right before the avalanche.
Written and directed by Emerald Fennell, Promising Young Woman is about a woman named Cassie, played by Carey Mulligan, who takes a severe and witty turn on revenge. Everyone said Cassie was a promising young woman. Then, a mysterious event abruptly derailed her future.
But nothing in Cassie’s life is what it appears to be: she’s wickedly smart, tantalizingly cunning, and she’s living a secret double life by night.
An unexpected encounter gives Cassie a chance to right the wrongs of the past in this thrilling and wildly entertaining story.
It includes a talented cast Laverne Cox, and Bo Burnham, Alison Brie, Connie Britton, Jennifer Coolidge, Max Greenfield, Christopher Mintz-Plasse, Chris Lowell, Sam Richardson, Molly Shannon, and Clancy Brown.
Written by Gil Kenan and Jason Reitman, and directed by Reitman, Ghostbusters: Afterlife becomes the next chapter in the original Ghostbusters franchise.
We follow a single mom, played by Carrie Coon, and her two kids, played by Stranger Things Finn Wolfhard and Mckenna Grace, who also stars in Troop Zero.
The family arrives in a small town. They begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind.
The cast also includes Dan Aykroyd, Sigourney Weaver, Bill Murray, and Paul Rudd.
Directed by Bert & Bertie, Troop Zero takes place in a tiny Georgia town in 1977. A motherless girl dreams of a life beyond the confines of her trailer-park home. When her quest for connection leads her to reach for the stars in a competition that lands on NASA’s landmark Golden Record, it becomes clear she will have to depend on some new friends to take her the last mile.
Every night, Christmas Flint, played by Mckenna Grace, sits under a starry sky with a flashlight, signaling to extraterrestrial visitors that never arrive. Sensitive, imaginative, and deeply lonely, Christmas and her equally eccentric best friend Joseph are the ultimate misfits in their rural hometown of Wiggly, Georgia. When Christmas learns that the winners of the annual Birdie Scout Jamboree talent contest will be included on a recording to be sent into space for posterity, her mission in life becomes to join the Scouts and win Jamboree.
A snobbish local Birdie Scout troop and their uptight leader Miss Massey, played by Allison Janney, blackball her. Christmas rallies a group of elementary-school outliers to start their own chapter. With grudging help from her dad’s angry office manager, Miss Rayleen, played by Viola Davis, Christmas and her crew have to bypass every roadblock Miss Massey can find in the fine print of the Birdie bylaws to reach the Jamboree and their chance at immortality.
The Official Sundance Poster
The movie entertains on many levels with Christmas’ solitary late-night vigils and final show-stopping musical performance. Troop Zero is an endearing and magical tale set against a backdrop of beloved hits of the ’70s, as Christmas forges friendships that will change her life and help her find a real family.
Janney and Grace starred together in I, Tanya, which Janney won an Oscar for her supporting role.
Directed by Autumn de Wilde, we have another angle of Jane Austen’s flair for writing intriguing stories that are not only funny but revealing.
Austen’s popular comedy is about finding your equal and earning a happy ending. Her story reimagined is a delightful innovative film adaptation of her book Emma. We follow handsome, intelligent, and rich, Emma Woodhouse, played by Anya Taylor-Joy, who is a restless queen bee without competitors in her sleepy little town.
In this glittering satire of social class and the pain of growing up, Emma must adventure through misguided matches and romantic missteps to find the love that has been there all along.
Wilde’s directing credits are light, but the movie looks good as the trailer shows how funny and silly the film will be. The rest of the cast includes Johnny Flynn, Bill Nighy, Mia Goth, Miranda Hart, Josh O’Connor, Callum Turner, Rupert Graves, Gemma Whelan, Amber Anderson, Tanya Reynolds, and Connor Swindells.
The next two clips show how funny the movie is with the silliness of situations and characters.
The next two clips show us the drama and love in the movie.
The Laundromat follows Ellen Martin, played by Meryl Streep, as her idyllic vacation necessitates an unbelievable twist when she investigates a fake insurance policy, only to find herself down a rabbit hole of questionable dealings linked to a Panama City law firm, and its vested interest in helping the world’s wealthiest citizens amass even larger fortunes.
THE LAUNDROMAT
The charming, and very well-dressed, founding partners Jürgen Mossack, played by Gary Oldman, and Ramón Fonseca, played by Antonio Banderas, are experts in the seductive ways of shell companies and offshore accounts help the rich and powerful prosper.
THE LAUNDROMAT
They are about to show us that Ellen’s expose only hints at the tax evasion, bribery, and other illicit absurdities that the super-wealthy indulge in to support the world’s corrupt financial system.
The movie clip shows the theme of the movie, and it is a comedy with a sense of hilarity in the two men talking to the camera while Streep talks about corruption.
The next movie clip explains Martin’s goal and purpose for exposing these to con artists.