Directed by Giuseppe Capotondi with the screenplay adapted by Scott B. Smith from the novel of the same name by Charles Willeford, the American writer initially had the book published in 1971. The Burnt Orange Heresy is a modern version of the book, and the location changed from the Everglades of Florida to the shores of Lake Como in Italy.
Hired to steal a rare painting from one of the most enigmatic painters of all time, an ambitious art dealer becomes consumed by his greed and insecurity as the operation spins out of control.
The cast includes Elizabeth Debicki, Claes Bang, Donald Sutherland, and Mick Jagger.
Written and directed by Michael Winterbottom with Sean Gray adding material to the story, Greed is a satire on the very wealthy. Not much is being promoted about the movie, but it is a British comedy, and this is the seventh collaboration between Winterbottom and Steve Coogan.
The next two clips show what the movie will entail. The humor is dry, and the situations hilarious.
Directed by Hamish Grieve, Rumble does a different take on the world of wrestling. In a world where monster wrestling is a global sport and monsters are superstar athletes, teenage Winnie seeks to follow in her father’s footsteps by coaching a lovable underdog monster into a champion. The movie voice actors are Will Arnett, Terry Crews, Geraldine Viswanathan, Joe “Roman Reigns” Anoa’i, Tony Danza, Becky Lynch, Susan Kelechi Watson, Stephen A. Smith, Jimmy Tatro, Ben Schwartz, and Michael Buffer.
Co-written and directed by Nia DaCosta and produced and co-written by Oscar winner Jordan Peele with co-writer Win Rosenfeld, the movie will bring back childhood memories of a fresh take on a blood-chilling urban legend. Your friend’s older sibling probably told you about at a sleepover, known as the Candyman, is a contemporary incarnation of the cult classic.
For as long as residents can remember, the housing projects of Chicago’s Cabrini Green neighborhood were terrorized by a word-of-mouth ghost story about a supernatural killer with a hook for a hand, quickly summoned by those daring to repeat his name five times into a mirror.
You come to the present day, after a decade of the last of the Cabrini towers were torn down. Enter visual artist Anthony McCoy, played by Yahya Abdul-Mateen II and his girlfriend, gallery director Brianna Cartwright, played by Teyonah Parris, move into a luxury loft condo in Cabrini, now gentrified beyond recognition and inhabited by upwardly mobile millennials.
With Anthony’s painting career on the brink of stalling, a chance encounter with a Cabrini Green old-timer, played by Colman Domingo, exposes Anthony to the tragically horrific nature of the true story behind Candyman. Anxious to maintain his status in the Chicago art world, Anthony begins to explore these macabre details in his studio. He sees it as fresh grist for paintings, unknowingly opening the door to a complicated past that unravels his sanity and unleashes a terrifyingly viral wave of violence that puts him on a collision course with destiny.
Co-directed by Danielle Krudy and Bridget Savage Cole and starring Morgan Saylor, Sophie Lowe with June Squibb and Margo Martindale, the movie, Blow the Man Down, begins at Easter Cove. It is a salty fishing village on the far reaches of Maine’s rocky coast.
Grieving the loss of their mother and facing an uncertain future, Mary Beth and Priscilla Connolly cover up a gruesome run-in with a dangerous man. They conceal their crime, and the sisters must go deeper into Easter Cove’s underbelly and uncover the town matriarchs’ darkest secrets.
Directed by Armando Iannucci, we follow the story based on Charles Dickens’ classic tale of grit and determination. Dev Patel plays the lead role in The Personal History of David Copperfield. The studio calls it re-imagines of Charles Dickens’ story, giving it a comedic lens of the Dickensian tale.
Still, a remake is a remake, even though they say “new life of the story for a cosmopolitan age with a diverse ensemble cast of stage and screen actors from across the world.”
Armando Iannucci also co-wrote the screenplay with Simon Blackwell. They seem to lend their wry, yet heart-filled storytelling style to revisiting Dickens’ iconic hero on his quirky journey from impoverished orphan to the burgeoning writer in Victorian England.
Other cast members include Hugh Laurie and Tilda Swinton.
Directed by the elusively funny Wes Anderson, The French Dispatch is a love letter to journalists set in an outpost of an American newspaper in a fictional 20th-century French city that brings to life a collection of stories published in “The French Dispatch” magazine.
The cast is an A-list of Hollywood superstars, including Saoirse Ronan, Timothée Chalamet, Elisabeth Moss, Billy Murray, Owen Wilson, Edward Norton, Willem Dafoe, Tilda Swinton, Liev Schreiber, Frances McDormand, Adrien Brody and Benicio Del Toro.
According to IMDB, The New Yorker reported a piece that outlines some characters, subjects, and situations described in this movie, along with the corresponding The New Yorker articles, themes, and writers that Wes Anderson references. These include:
Arthur Howitzer Jr., played by Bill Murray, inspired by the New Yorker’s founding editor Harold Ross.
Herbsaint Sazerac, played by Owen Wilson, inspired by the writer Joseph Mitchell
Julian Cadazio, played by Adrien Brody, inspired by Lord Duveen, the subject of a 1951 six-part New Yorker profile by S. N. Behrman
Roebuck Wright, played by Jeffrey Wright, inspired by James Baldwin and A. J. Liebling, who were both New Yorker contributors over the years.
Lucinda Krementz, played by Frances McDormand, inspired by Mavis Gallant, She wrote a two-part 1968 piece on the student uprisings in France. This character also shares a last name with Jill Krementz, a photographer whose work has often appeared in the New Yorker and is the widow of the novelist Kurt Vonnegut.
The New Yorker also reported in the same piece that the movie takes place in a fictional French town called “Ennui-sur-Blasé.” “Ennui” and “blasé” are both English words, albeit both terms originate from the French, which means roughly the same thing: world-weary boredom, apathy, and sophistication. It is relatively common for French place names to contain the word “sur” (“on”) between two other words as a geographic descriptor. for example, the French Riviera village name “Beaulieu-sur-Mer” translates as “beautiful place on the sea.” So if it were a real place name, “Ennui-sur-Blasé” would mean, more or less, “Boredom-on-Apathy.”
For Anderson, the filmmaking process is 100% organic from start to finish. That begins with the writing. “It’s a real adventure to work on these things,” says longtime collaborator Jason Schwartzman, who co-wrote the story with Anderson and Roman Coppola and plays the role of the magazine’s cartoonist. “The stories are sort of concocted in real-time. There’s not some big outline or something that you’re filling in. You’re literally creating each moment as you get to it. It’s sort of like building a bridge while you’re on the bridge, and that’s what’s really exciting. When you wake up in the morning, you really have no idea what could happen to the story, to the characters, and that is such an exciting place to be. It’s free form but focused, and Wes is the captain of the ship.”
So funny!
The official name of the New Yorker-inspired magazine is The French Dispatch of the Liberty, Kansas Evening Sun, a publication inspired by the history of The New Yorker and the origins of two of the people who made it what it is: Harold Ross, the magazine’s co-founder, and William Shawn, his successor, both inspirations for Bill Murray’s character and both born in the Midwest. “Kansas seems to me like the most American place in America,” says Anderson. “I mean, really, in the end, The French Dispatch isn’t publishing for the people of Kansas. They’re publishing for America.”
Creating the story’s striking still-life passages, Anderson actually asked the actors to freeze in place. “It’s a game I play with my daughter,” says del Toro, “it’s probably one of the earliest things that I remember playing as a kid, and suddenly… we’re doing it, every actor from Tilda Swinton to Henry Winkler, all these legends, all playing the game. And it’s contagious. It’s really nice to see actors going back to their childhood and playing, Simon Says. There’s something very freeing about it. And I felt like it added to the film in another way. Wes could have frozen the action digitally, but there’s something about the actors actually freezing that makes it… you can feel it, you can touch it, and the audience can feel the joy behind it.”
See if you can catch every single actor in this movie.
The following Fast and Furious premise is, “No matter how fast you are, no one outruns their past.”
The next franchise title is short and sweet. Appropriately, the film is F9 for the ninth chapter in the adventure that has endured just about two decades, earning over $5 billion worldwide.
Directed by Justin Lin, the story follows Vin Diesel’s Dom Toretto as he leads a quiet life off the grid with Letty and his son, little Brian, but they know that danger always lurks just over their peaceful horizon.
This time, that threat will force Dom to confront the sins of his past if he’s going to save those he loves most. His crew forms up to stop a world-shattering plot led by the most skilled assassin and high-performance driver they’ve ever encountered: a man who also happens to be Dom’s forsaken brother, Jakob (John Cena, next year’s The Suicide Squad).
Justin Lin returns as director. He directed the franchise’s third, fourth, fifth, and sixth sequels when it became a global blockbuster. The action hurtles around the globe—from London to Tokyo, from Central America to Edinburgh, and from a secret bunker in Azerbaijan to the teeming streets of Tbilisi. Along the way, old friends show up, old foes will return, history becomes rewritten, and the true meaning of family goes through a test like never before.
The film stars returning cast members Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Jordana Brewster, Nathalie Emmanuel, and Sung Kang, with Oscar winners Helen Mirren and Charlize Theron. F9 also features Grammy-winning superstar Cardi B as a new franchise character named Leysa. She arrives as the woman with a connection to Dom’s past and a cameo by Reggaeton sensation Ozuna.
Some call Morbius one of Marvel’s most compelling and conflicted characters. The comic book character comes to the big screen with Jared Leto transforming into the enigmatic antihero, Michael Morbius.
Dangerously ill with a rare blood disorder, and determined to save others suffering his same fate, Dr. Morbius attempts a desperate gamble. What at first appears to be a radical success soon reveals itself to be a remedy potentially worse than the disease.
Daniel Espinosa directed Morbius with the story by Matt Sazama & Burk Sharpless and the screenplay by Matt Sazama and Burk Sharpless and Art Marcum and Matt Holloway. The rest of the cast includes Matt Smith, Adria Arjona, Jared Harris, Al Madrigal, and Tyrese Gibson. It’s refreshing to see a surprise appearance of Michael Keaton, who is not on the cast list yet.
Directed by William Brent Bell, Brahms: The Boy II brings a frightful look at the unaware and terrifying history of Heelshire Mansion. The story follows a young family just moving into a guest house on the estate where their young son soon makes an unsettling new friend, an eerily life-like doll he calls Brahms.
Bell directed the first Brahms movie. An excellent cast includes Katie Holmes, Christopher Convery, Owain Yeoman, and Ralph Ineson.
The studio calls this the final trailer, and it’s okay because it tells more about the story.
