Tag Archives: Jack Greenlees

Outlaw King a Scottish Tale From the History Books

Co-written and directed by David Mackenzie, Outlaw King follows Robert the Bruce, played by Chris Pine. His life is transformed from defeated noble to a king to an outlaw as he struggles to reclaim medieval Scotland from occupation. Ambushed and reduced to a handful of supporters, Robert resolves himself to strike back against King Edward of England’s mighty army.

Robert is among the Scottish nobles who submitted to the occupying English King, Edward, played by Stephen Dillane.  A marriage is arranged between Robert and Elizabeth de Burgh, played by Florence Pugh, a daughter of Edward’s ally.

An unnerving peace seems the only way forward which Robert and his family reluctantly accept. His relationship with his wife is feisty as they get to know each other. But crippling taxes, relentless force, men and boys being coerced under obligations of the feudal system to fight for King Edward only strengthen the rising rebellious emotions amongst the Scots.

Major events trigger a change in the overall climate of Scotland. The death of the family patriarch Bruce Senior, played by James Cosmo, news of the brutal demise of former rebel leader William Wallace, and finally the murder of Robert’s rival John Comyn, played by Callan Mulvey.

With the help of the Scottish Church – including Bishop Lamberton, played by Paul Blair, Robert resolves to become king and try to unify a divided country – many of whom do not want more war and are opposed to him because of their own blood ties.

If you know your Scottish history, you know the outcome of the story. I can give you a hint, though, it is one of the greatest comeback stories in history. “…I couldn’t shake the feeling that the period between 1304 and 1307 was where the most extreme things were happening – and this is what we have focused on. We conflated some characters and events in the interests of drama and time, but we have broadly been very faithful to the recorded history or this timeframe,” explained Mackenzie.

The Netflix produced movie will hopefully turn out to be a movie worth watching. So much of Scotland’s yesteryear events are page turners in historical books.

Scottish director Mackenzie whose body of work includes Hell or High Water and Young Adam is an excellent choice for this epic movie. Here are a couple of clips from Outlaw King. Nothing like the trailer but poignant in terms of key points in the movie’s storyline.

 

Sunset Song

sunsetsongSunset Song, directed by Terence Davies, follows Chris Guthrie, played steadily by Agyness Deyn, beginning with her in school, where she and her classmates are struggling in a French language class. Soon she meanders along as we get know her family, clearly, a struggle with her beloved mom, played heart-wrenchingly by Daniela Nardini, and her grumpy dad, played solidly by Peter Mullan.

Patently, her mother is not in a nurturing relationship, and her father is abusive with her and his eldest son, Will, played to the hilt by Jack Greenlees. Will longs to leave home because he is fed up with being abused and bossed around by his dad.  The movie meanders more with beautiful scenes of the Scottish land while Chris suffers through hardships. But, she is strong and gets through each poignant moment because the land she lives on never oppressions her and is always there supporting her no matter what tragedy she goes through.

Having Scottish decedents, I wanted to see this movie set in Scotland during the turn of the century and in the shadow of World War I. Sunset Song is the coming of age story of Chris as we follow her through personal hardships. Eventually, Chris is left alone to tend to the family farm and fend for herself against their abusive father, who eventually dies. Believing she finally found happiness, Chris marries Ewan, played intuitively by Kevin Guthrie, who enlists in the army to fight in The Great War, leaving Chris to tend to the family farm by herself. Ewan returns on leave and the brief reunion is not romantic but coarse and hard to bear. Yet, Chris stays strong and tends the farm after Ewan goes back to the front lines in France.

A tale of steadfast resilience in the face of overwhelming adversity. Yet, the meandering feel of the movie is the irony to the story. Such tranquility in the land but harsh injustice in society. Davies direction pulls it off well.

With cinematography by Michael McDonough, the movie looks more than just visually appealing from start to finish. McDonough captures the tone and era along with the heartache and loss of The Great War.

The movie is based on one of Scotland’s most cherished and notable novels in the last century.  A look at six years in the life of a peasant farm family before and just after the bloodshed of World War I. Life was severe, markedly for the women, who had no control over their destiny. The movie is worth seeing if you want an honest Scottish story that wanders incrementally from hardship to hardship.  The dialogue is totally Scottish, so switch on the English subtitles if it bothers you or just set back and enjoy the movie.