Category Archives: history

The Love of Jeanne Ney

4 Genuine and Superior Classic German Silent Films

The Great Leap (1927)

Kino Classics released some extraordinary German classic films from the silent era during the 1920s. Each one is available on Blu-ray or DVD. Presented in restorations by F. W. Murnau-Stiftung, I found each movie stunning and mesmerizing.

The films restored are The Great Leap (1927), directed by Arnold Fanck and starring Leni Riefenstahl, Paul Wegener’s The Golem (1920), G. W. Pabst’s The Love of Jeanne Ney (1927), and F. W. Murnau’s Tartuffe (1925), starring Emil Jannings.

The Great Leap
The Great Leap (1927)

I first watched The Great Leap, which features an audio commentary by film historian Samm Deighan. The movie stars Leni Riefenstahl, who is infamous as the great documentarian of Hitler. Before all that, she was foremost an actress, and she is good in this movie. It’s super funny. Apparently, Riefenstahl was a popular actress who starred in several mountain movies directed by Arnold Fanck. They included The Holy Mountain (Der heilige Berg, 1926) and The White Hell of Pitz Palu (Die weisse Hölle vom Piz Palü, 1929) as dramas of romance and survival.

The Great Leap suggests was something different as a playful romantic comedy set high atop the Dolomites. Riefenstahl plays an Italian peasant whose simple life is upended when a series of urbanites invade the slopes for a ski vacation. This bubbly comedy (featuring Riefenstahl’s usual on-screen love interest, Luis Trenker) combines slapstick laughs with stunning footage of acrobatic skiing and rock climbing, making it perhaps the most entertaining but unique movie out of all the German mountain films.

The Golem (1920)

Then I watched The Golem that contains both a 4K restoration of the German release version with three musical scores by Stephen Horne, Admir Shkurtaj, and Lukasz “Wudec” Poleszak, including U.S. release version with music by Cordula Heth. A feature comes with a comparison between the German and U.S. versions, and audio commentary by film historian Tim Lucas.

Hypothetically acknowledged as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor and director Paul Wegener with the substance for an intriguing and adventure movie. Suffering under the tyrannical rule of Rudolf II in 16th-century Prague, a Talmudic rabbi, played by Albert Steinruck, creates a giant warrior, played by Wegener to protect the safety of his people. When the rabbi’s assistant, played by Ernst Deutsch, takes control of the Golem and attempts to use him for selfish gain, the lumbering monster runs rampant, abducting the rabbi’s daughter, played by Lyda Salmonova, and setting fire to the ghetto. The special effects for this time are impressive, creating the creation sequence with a dazzling blend of religion, sorcery, and the grand-scale destruction toward the end of the movie. The Golem was apparently an outstanding achievement from the legendary UFA Studios and remains an undeniable landmark in the horror’s evolution film.

The Love of Jeanne Ney came next and presents both the restored German release version with music arranged and orchestrated by Bernd Thewes, and the U.S. release version with music by Andrew Earle Simpson. It includes audio commentary by film historian Eddy Von Mueller.

The Love of Jeanne Ney (1927)

An epic of the Weimar cinema (Cinema of Germany), The Love of Jeanne Ney follows a young French woman’s struggle for happiness amid the political turbulence and corruption of post-World War I Europe. Directed by G. W. Pabst, who also directed Diary of a Lost Girl, Pandora’s Box, the film blends a variety of cinematic approaches as it weaves its complex narrative of moral chaos and political upheaval. Consider the use of the “American Style,” evocative of the Hollywood studio blockbuster; the avant-garde techniques of Soviet montage; and the eerie moving camerawork and shadowy perspectives are typical of German Expressionism. The result is a stunning cinematic experiment that never failed to surprise me with fast sequences that end with an exhilarating conclusion.

Tartuffe (1925)

Tartuffe includes both the German release version with a new score by Robert Israel and the U.S. release version with music by Giuseppe Becce, adapted by Javier Perez de Azpeita.

Tartuffe (1925)

Considered one of the most gifted visual storytellers during the German silent era, F. W. Murnau crafted works of great subtlety and emotional complexity through his absolute command of the cinematic medium. Known for such dazzling films as Nosferatu (1922), The Last Laugh (1924), Faust (1926), and Sunrise (1927), Murnau draws toward more intimate dramas exploring the dark corners of the human mind.

I had a prime interest in seeing Tartuffe, where Murnau Moliére’s fable of religious hypocrisy to the screen. The story follows a faithful wife, played by Lil Dagover. She tries to convince her husband, played by Werner Krauss, that their morally superior guest, Tartuffe, played by Emil Jannings, is in fact a lecherous hypocrite with a taste for the grape. Twisting the story to heighten the contemporary relevance, Murnau frames Moliére’s tale with a modern-day plot concerning a housekeeper’s stealthy efforts to poison her elderly master and take control of his estate.


“Battle of Leningrad” a Russian Heroic Tale

Written and directed by Aleksey Kozlov, Battle of Leningrad involves World War II’s Siege of Leningrad – in which Nazi Germany blockaded the major Soviet city for 28 months. The situation ranks as perhaps the single most brutal and devastating military campaign in modern history.

Now, the story of horrifying siege told through the lives of people caught in the middle of it in Battle of Leningrad. Produced in Russia, the story began in September 1941. On the Eastern Front of World War II, Kostya, played by Andrey Mironov-Udalov and his fellow Russian cadets tasked with evacuating thousands of civilians out of war-torn Leningrad. The purpose is safety aboard Barge 752.

While Kostya’s commander initially worries that the barge may be too outdated to sail across Lake Ladoga safely, the evacuation completed. Even Kostya finds time to smuggle his fiancé, Nastya, played by Maria Melnikova, aboard the bare to join him on the journey. But tragedy quickly finds them, and the story is about survival.

An unrelenting storm strikes that evening, and Barge 752 begins to break down and leak, threatening to sink. Kostya, Nastya, and the rest of the ship’s occupants are hopeful for rescue the next morning. They find themselves in even greater danger when the first responders are not what they hope them to be — planes to rescue them, but enemy aircraft, geared up for attack.

The film is epic on a grand scale while allowing enough focus intimately on the unique individuals caught up in an enormous tragedy. Kozlov’s movie is similar to DunkirkSaving Private RyanStalingrad, and Titanic.

The movie is full of rage with intense circumstances on board the barge with the impending attack plays with remarkable clarity. 

The battle scenes are energetic and penetrating along with a dramatic storyline about a time in history that continues to interest storytellers like Kozlov.

Mironov-Udalov and Melnikova bring honesty to their relationship and circumstances. It is through their eyes we experience the horrors of WW II in Russia.

The movie is in Russia with English subtitles.

The Last Warrior – Bloody and Epic

Directed by Rustom Mosafir and co-written with Vadim Golobanov, The Last Warrior is Mosafir’s second movie. The story delivers a brutal and unrelenting narrative filled with treachery and bloodshed against the framework of the turbulent 13th century Eurasia – joint continental landform of Europe and Asia.   

The movie imparts a new era beginning in Eastern Europe. Scythians, the proud warriors, nearly all gone and most of the few remaining descendants turned into ruthless mercenary assassins.  The story follows Lutobor who is a warrior and becomes involved in a conflict with two tribes. Lutobor sets off on a journey of peril with the intent of saving his family. His guide is a captive Scythian who is his enemy. They brave the treacherous wild steppes – a vast level area of treeless land in southern Europe. They journey toward the last haven of the Scythians. Their journey is fought with what might end up being their demise.

The movie is in Russian or English or in Russian with English subtitles. The cast includes Aleksey Faddeev, Aleksandr Kuznetsov, and Yuriy Tsurilo.

Very little information is available for me to share with you in regards to which actor plays which character and crew listing. The costumes and scenery are fantastical. Mosafir places the camera within the action and drama of the story. The imagery is gruesome and beautiful at times. Though, I don’t recommend the movie for those with faint hearts.

While watching the movie, I kept thinking what it must have been like living in Eurasia during the 13th century, lawless, full of superstitions, ignorance, and illiteracy.

Joseph & Mary

JosephandMaryDirected Oscar winner for Best Art Direction-Set Direction (Star Wars) Roger Christian, Joseph & Mary is a compassionate, preponderate and riveting story of the all familiar Bible story. The story follows Elijah, played by Stephen McCarthy, a devout Rabbi, during a time of discontent when King Herod the Great slaughter of innocents claims the lives of two boys Elijah had sworn to protect.  Elijah makes it his life mission to avenge their deaths, but he meets Joseph, played by Kevin Sorbo, Mary, played Lara Jean Chorostecki, and Jesus, played as a young boy by Lucius Hoyos and as a young man by Joseph Mesiano.

Elijah strong desire to revenge the two boys killed by King Herod are put into question. When the time comes for him to face his true enemy, Elijah finds himself wondering if to kill or forgive. Hence, this is a Christian Faith movie that has received the “Faith-Based Seal” by The Dove Foundation.

Elijah is one of the several stories in the movie about meeting Jesus but is the main story line. The acting is very well done and artfully depicts the biblical parents of Jesus as their newborn son helps them inspire faith in unlikely places. The scenes and direction are captivating with mesmerizing scenery, the miraculous journey delivers a powerful message of mercy and forgiveness.

Obvious a low-budget production that is meant to educate and enlighten, the movie is not for everyone because it is written to be shown at all Sunday School classes. The message is strong, offering the idea love your fellow man despite all efforts to do otherwise.

Drunk Stoned Brilliant Dead: The Story of the National Lampoon

drunkstoneGrowing up, I never became interested in the National Lampoon magazine and then the movement because the humor didn’t impress me. But, I cared more for the actors involved in the productions, like Animal House, which completely changed the stage for teenage comedies.

With that, Drunk, Stoned, Brilliant, Dead is a funny documentary that will shine humor for anyone who remembers the era of National Lampoon.

In the documentary, the story shows how the magazine came to fruition with examples of the covers, cartoons, stories, and funnies. I didn’t find myself laughing out loud, but I am sure a few of you will. Politically Correct hadn’t been invented yet, so National Lampoon used the freedom to upset the status quo and rock the stuff-neck-shirts of American and thus the world.

Clearly, the magazine had more freedom than we do today. There wasn’t college campus censorship or PC-police at standup comedy shows. No one pointed fingers at the magazine’s cultural humor that we don’t see today.

The documentary also notes the launching the careers of legends like John Belushi, Bill Murray, Chevy Chase, Christopher Guest, and Gilda Radner.

The documentary clearly states the magazine changed comedy in America, and Hollywood is still trying to determine how they changed it and if they can bring it back.  The only way such humor can come back is if our culture would allow us to communicate freely and opening about social issues.

 

The Rise of the Krays

rise kraysDirected by Zackary Adler, The Rise of the Krays, is not a well-known subject in America because these twins became notorious in London. As amateur boxers, they used their brute strength to domineer the city in the 1960s.

The movie comes across as a thought-provoking historical piece.  Because knowing they were amateur boxers made sense that they could punch their way to power on the streets.  Their method was to attack first and attack hard.  They succeeded without remorse.

The story is told by a close friend of the twins.  One of the twins, Ronnie, played by Simon Cotton, was known as a volatile and complex young man. He was institutionalized, which proved to make him worse as psychiatric institutions do. Keeping him in check by his brother Reggie, played by Kevin Leslie, proved to be difficult. Still, they gained power and controlled the East end and spread out on the West side when gambling was no longer illegal.

The movie shows their violence, gang wars, and power over politicians. The acting seemed a little staged, but for the most part, the characters were believable.  Cotton and Leslie brought substance to the movie and strength to the true story.

If you can stomach raunchy, bitter, and violent movies that are a blood bath, then this movie is for you and not for the soft heart.

History of War Collection

History WarHistory Channel is pretty darn good at making documentaries. The History of War Collection is an excellent example of how well the History Channel produces documentaries. The 17-Disc set takes you on a tour of America’s military role through all of its major wars.

You will learn and see how warfare evolved from the time of the American Revolution up through the Civil War and into modern times. The discs offer so much information about how America became the land of the free and home of the brave.

I was able to immerse into the 17-disc set, which digs deep into the twists and turns of America’s most significant and deadly conflicts-from the American Revolution, the Mexican-American War, the War of 1812, the Civil War, and the Spanish-American War to WWI, WWII, and the Vietnam and Korean Wars.

Produced as a documentary, the set features over 42 hours of programming amassed from over 20 History Channel documentaries. The credits are impressive with renowned historians and scholars, special guest narrators Edward Herrmann, Oscar de la Hoya, and Sam Rockwell on several programs.

Teachers, historians, and students will find the set informative and eye-opening tour of America’s military role through all of its major wars.

I was most impressed with how warfare evolved from the time of the American Revolution into modern times. Evidence depicted with reenacted stories of the countless brave Americans who put their lives on the line to defend their country and their beliefs.

You might not get through the entire set, but I highly recommend The History of War Collection.

“Gangland Undercover” Season One

ganglandHistory Channel produced an excellent series when they captured the life of an undercover informant who was brave enough to sneak into three outlaw biker gangs. The fact that he lived to relate his story to the world is awe-inspiring as well. Charles Falco, the author of Vagos, Mongols, and Outlaws, goes from convict to infiltrator as he secretly documents the Vagos’ illegal activities and ultimately brings them to justice.

History Channel transports Falco’s story to real life in this fact-based series that sees him work as an informant for the Feds on a covert mission inside the dangerous Vagos world of violence, murder, and drug trafficking. Having climbed the gang’s ranks while facilitating 62 arrests, Charles Falco exposes how he crippled the criminal enterprise from the core of the biker underworld in this mind-blowing true story.

The series is by no means the same old thing about biker gangs but rises above the other motorcycle gang TV shows and movies.  Gangland is nothing like Son’s of Anarchy, so I will not bother to compare them.

Gangland will ring true for those who are familiar with bikers in the 70s. History Channel avoids soap opera characters and sensationalism. Instead, the show hits on the truth and scores a strong fan base.

Ari Cohen’s acting is good, and the writing is even good. What is interesting about this true story is that Falco was a meth cook, and he had a choice of jail or being an informant, which makes him an anti-hero in real life, but History Channel doesn’t depict him that way. That is Hollywood. The trailer below doesn’t do the television series justice.

History Bible Collection

history BibleI have always been impressed with the documentaries produced by HISTORY. The Bible Collection is a fine example of a well-done production. The program covers everything you can image about the Bible and even more so. The quality of reenactments and speculations bring more life to such a devoted subject.

The 16-disc set of over 38 hours of programming examines both Judaism and Christianity.  The series explores the mysteries and hidden facts about the history of the Bible. Three discs offer some of the most famous biblical stories from both the Old and New Testament. Also featured are 12 programs about the most famous biblical figures, and the screen format is both widescreen and full screen.

Includes the following DVDs:

  • Bible Stories from The Old Testament – DVD#1
  • Bible Stories from The Old Testament – DVD#2
  • Bible Stories from The Old Testament – DVD#3
  • Christianity: The First Two Thousand Years – DVD#1
  • Christianity: The First Two Thousand Years – DVD#2
  • Banned from The Bible – DVD
  • Banned from The Bible II – DVD
  • History Classics: Mysteries of The Bible: The Bible’s Greatest Heroes – DVD1/2
  • History Classics: Mysteries of The Bible: The Bible’s Greatest Heroes – DVD3/4
  • History Classics: Mysteries of The Bible: The Bible’s Greatest Heroes – DVD5
  • Bible Secrets Revealed – DVD1
  • Bible Secrets Revealed – DVD2
  • Mysteries of The Bible FKA Collector’s Choice: Mysteries of The Bible – DVD1/2
  • Mary of Nazareth – DVD/Jesus His Life
  • The Execution of Jesus – DVD
  • God Vs. Satan – DVD

I doubt anyone could watch all the programs in one sitting.  I am sure most Sunday Schools would love this set, and play the DVDs that are appropriate for children.  Some adults might want to watch each video as it sparks their interest in a certain aspect of the Bible, like Mary of Nazareth or where the Bible has been banned. No matter how the programs are viewed, I am sure each person will appreciate the value of the production and become better educated about such an ancient book.

Manhattan: Season 2

WGN’s Manhattan is clearly a great period drama since Madmen. In season 2, three new cast members are introduced. William Petersen plays Col. Emmett Darrow, who is not a nice guy. Mamie Gummer plays Nora, who is also very dark, and then Neve Campbell, who plays Kitty Oppenheimer.

If you watched season 1, then you might be bothered by the fact that Frank Winter, played by John Benjamin Hickey, doesn’t have as much screen time in season 2 as in season 1 because the story follows the other main characters more this time around.

The opening episode is a little confusing because it opens 45 minutes before the season finale and then flashes back to a year before the night they test the bomb. I had a hard time following the time frame, but it does smooth out, hopefully.

More backstory is given to each character, which makes the season 2 more interesting, and the acting is still strong and impressive.  The history during this time is really interesting with the music and some authenticity to the clothes.  If you are sharp, you might notice some production flaws with modern pops here and there or modern electric wires not fully erased out of the film.

All in all, Manhattan has a hard message as a social commentary. The Cold War existed, and these people were a large part of it.